Tag: snow

Power of B&W

I cannot believe I have not published a post to my blog in so long. It is enough to slip one week without posting and then another week and then not writing becomes a norm rather than exception. Time to break out of that habit. Expect lots of image in rather random chronological order over the next couple months.

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It is one of a rare hot summer weeks in Seattle. The temperature is constantly over 30 during day and nights are warm and humid. On the days like today I want to throw all food out of the fridge and close myself in it. It is a nice thought that I doubt I’ll ever make come true. I’m not that desperate. But that certainly makes a memory of the last winter refreshing. And that’s the memory I want to share with you today.

I love color to the point when I just photograph some color without even any subject. But sometimes the color is a distraction, a nuance that does not add anything or maybe even takes away something. In those case black-and-white image might still be more powerful. I find black-and-white especially working well in winter. One of the main reason is likely that there is not much color in winter in the pacific northwest mountains. The only color is the tone of the sun light breaking thru the clouds and that one is typically weird.

Like in this case the Sun broke thru the clouds just for a moment putting a spotlight on a bunch of trees in a valley. The color was strange but black-and-white tonality of the scene was beautiful.

Snow in the Palouse: Steptoe Butte

The whole area has frozen. My car was the only one on the roads making a new track in fresh snow. After driving around at the bottom of a fog ocean I drove to the top of Steptoe butte. As I were reaching the top I emerged from fog. The whole landscape opened up to my view: it was an  endless sea of clouds with peaks of mountains like islands seen on horizon.

I was overwhelmed by the beauty of it all. Snow sparkling in the sun. Roads disappearing in the fog. Pristine white fields in small openings of white fog.

It was just too much beauty around my senses were exhausted. I was taking photos seemingly random, on instinct. I need it a rest.

Back from the top I dove my submarine back into the ocean of fog. Bitter cold but happy.

Snow in the Palouse: White Out

The next morning I woke up early to photograph sunrise. I had a place and scene in mind. Except as always the Nature has its own plans. Everything was still covered in thick fog. it make everything feel more enclosed putting white wall around. Everything was white, fresh and clean: snow on the ground and fog in the air.

There was no hint of sunrise. The fog was too deep for that. So I started to photograph snow in the Palouse in fog. As I was going thru the day my image became more and more abstract and the theme has become clearer: white out.

The whole area looked frozen and deserted. My car was the only one on the roads making a new track in fresh snow.

White out – the land is white and the sky is white. There is only thin line where land meets the sky. And nothing disturbs the quiet stillness of it all.

Where land meets the sky

Where land meets the sky

Where land meets the sky

Snow in the Palouse: The Night I Came

Snow in the Palouse, cold, windy… I went there again to see it, to photograph it, to experience it. And I was blown away by the beauty of it again.

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I arrived there at night on the longest night in the northern hemisphere. Most of the drive was in the dark and most of it was snowless. But the temperature drop was noticeably. As I was driving I was watching outside temperature on my car dashboard. I wanted to know when it drops below freezing to drive slower in case there are ice patches on the road. As I got to the crossing over Columbia river I was watching in awe how temperature was dropping down another degree every 10-20 seconds. It was unbelievable: how temperature could go from +4 to –7C in a span of just a few kilometers.

As I was getting closer to Colfax the snow started showing up. It was getting thicker and thicker. It felt like the Palouse was the only place that had snow, isolated island of snow surrounded by bare land. And it was all in deep fog. It was beautiful. I just had to stop and photograph.

I stopped at the entrance to one of the side roads that was covered with too much snow, not drivable. I went to photograph a small farm by the road. I stayed close to the main road as snow was too deep to wonder off. I was taking picture after picture with long exposure. A snow plow truck passed by cleaning snow from the road. Smashing me with the powerful spray of wet snow and dirt. I was not angry, I was strangely calm, nothing could disturb me soaking up the beauty around me. And after all I saw his tracks – he tried to drive the truck farther away from me but splashing me was unavoidable.

I spent several more hours just driving around looking at all of it, enjoying all of it. Finally, past midnight I stopped, climbed into the back of my car and fell asleep, tired and happy.

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ETTR or Try it before you buy it

There has been a lot of discussion of ETTR (Expose To The Right) on photographic blogs, websites and all kind of other publications. With this method you expose as high as possible with histogram touching the right edge. Here is one article that goes in depth on this method: http://www.luminous-landscape.com/tutorials/expose-right.shtml.

The idea is that this produces maximum quality digital negative. Often this produces image that looks overexposed and later in post-production supposedly you can lower exposure to get naturally looking image but with higher quality.

While it looks reasonable that this may reduce signal-to-noise ratio, I noticed that this results in images looking too flat and with washed out colors. On my last trip I took two images one normally exposed and one exposed to the right. The scene is extremely simple which helps illustrate the difference in result. In post-production I reduced exposure of the ETTR image to match exposure of the first image. No other adjustments were done to either image. Here are results side-by-side:

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Guess which one is which? The one on the left is taken with normal exposure, the one on the right is taken with ETTR and then reduced back exposure to match exposure of the first image. As you can see ETTR image results in less color and less contrast, i.e. lower dynamic range. To confirm this here are the corresponding histograms:

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Just by looking at histograms you can see that the range of tonality is greater in normally exposed image as well as greater separation of colors. This seems to disprove the statement that the article I linked at the beginning does that ETTR image has greater dynamic range.

I don’t know about you by I’d rather expose right than expose to the right. This is just another case to demonstrate my main principle in photography: do what you like, what feels right to you. And no matter how convincing a new idea you read somewhere sounds, try it before using it, get your own feeling for it. If you really like it, use it, just make sure it is because you got your own understanding of it not because someone else told you to do it.

UPDATE: I’ve got requests to include original ETTR image with histogram. Here it goes.

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Capture

Perfectionist

I’m a perfectionist in everything I do. And I’m twice perfectionist in photography. In the field I keep taking photo over and over changing my position, perfecting composition, and changing settings perfecting my exposure. In post I can spend endless hours on a single photo perfecting every pixel of it to tell a clear story with my photo.

This was the case with this photo. It looked like illuminati sign for me. The problem was that pink spot in the sky was too weak. I wanted to make it clearly visible. Except I could not get it too stand out more without color shift and without impact on surrounding clouds. I’ve spend many many hours on it, printed proof after proof all of them going to garbage.

Finally, I think I got it. One thing is that it is unlikely you’ll be able to appreciate it since it pushes the limits of what uncalibrated regular monitor can show. That’s the problem with subtle color variations. Even on my laptop where I type this post I cannot see pink in the sky. I can see it on wide gamut calibrated monitor that I use for photo editing and on prints that I produce.

Illuminati
Illuminati

Simplicity of a Curve

What can be simpler than a single curve in snow. It is like an artist calligrapher drew a hieroglyph with a single movement of hand.

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What’s interesting is that I found the same curve in a track of foot steps that a fellow photographer left behind.

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Bubbles

The main attraction of the lake by the small town of Nordegg is bubbles caught in the ice. As the lake freezes bubbles of air float up from the bottom of the lake to the surface where they are captured and then enveloped by ice. Those frozen bubbles form amazing surreal three-dimensional structures.

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Tough Climate

I think these two quite different photos capture the same feeling of the tough climate of Canadian Rockies in winter. Deep freeze ice with temperatures well below zero kept clean by sweeping winds so strong at times that it is hard to stay in one place on the ice.

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One Arrow, Many Photos

Just how many photos of the same subject can be made? Apparently a lot.

One of the key locations we photographed on the last trip to Canada was an artificial lake by a tiny town of Nordegg. The winter is bitterly cold their and the lake freezes deep enough to walk on ice. The constant wind blowing over the lake keeps the ice clean from snow. What’s most interesting is air bubbles that rise from the bottom of the lake just to be captured in ice building fantastic three-dimensional structures.

One of such structures was in a form of an arrow. I was so drawn to it that I spent hours photographing it over two days. Coming up with new and new ways to do it. Here is how it looked:

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Now how about using flashlight to highlight part of an arrow? That circle at the head of the arrow seems very attractive:

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How about showing the arrow in the context of the area surrounding it? Let it be the lead to othe bubbles:

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Let’s step further away. How about hiding the arrow in a landscape for a curious eye to find:

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I’ve done much more different photos of the same subject on that trip; they are just not as good.

I guess my point is that I don’t come-see-take a photo. I work with the subject, explore it visually and find many photos of it which eventually dwindles to a few ones I keep.