Make Photo

Rick Sammon likes to say “Don’t just take photos, make photos”. It is a great advice. And the photo in this post is a great example of that.

I had photographed this tree a few days before and came back to Kubota Gardens that day with a single goal to make more interesting picture of this tree. I got “inside” the tree. It was cozy and warm inside under the canopy of red and yellow leaves. I started with the same kind of photos at before. They were typical photos of branches with fall leaves.

Then I noticed a single leaf caught in the middle of a tree where many branches were coming out from the main trunk. Now, that was interesting. I took a few photos.

The single leaf did not really stand out it was blending in with the branches. There was a simple solution to that. I grabbed a bunch of leaves that were already on the ground and dropped on top of the single leaf. Now they had a party.

I took a few images again. It was nice but it was plain. The image of something mystical started brewing in my head. What if I make an image of a Heart of Autumn. The heart of autumn would be glowing. And a flash light could help with that.

Fortunately, I had a powerful spot light in my car (well, I always have several flashlight in my car). I overcame my laziness and packed my gear, went back to the car, grabbed the spotlight and went back to the tree.

Now I was shooting with a spot light. It took a few iterations to get light spot right in the middle of the pile of leaves. I still did not feel like I got it. The leaves in the background were as bright as those I was lighting up. it did not feel like leaves at the heart of the tree were glowing. The solution was to make reduce overall exposure of the image, while get more light on the leaves that I wanted to glow.

The end result:

Heart of Autumn
Heart of Autumn

A Dream About Water

I’ve wrote about light painting before and I’ll likely write more again as this really fascinates me in photography. For me it is a lot of fun playing with lights, a lot of creativity as I create something that was not there in the first place, and a lot of surprise as most of the time what I get is unexpected.

Here is an image that got me very excited about light painting again. I spent a day photographing fall foliage in Kubota Gardens in Seattle (I’m still working on post-processing those photos). At dusk as it got dark enough for exposures to go up to 30 seconds I started playing with light painting with two waterfalls I found in the gardens.

I found the upper waterfall to be more interesting of the two because it had red leaves caught in the stream and I could get a more dynamic image with foreground and background.

There were two new things I played with this time. First, I brought two different flashlights: one had cool light and the other one had warm light. So, I could do not only light painting but also color painting. The other thing that I played with was focus, shifting focus in the middle of light painting. This created dreamy effect.

For those interested in more technical details here is how I took this image. The camera was on a tripod, aperture wide open (f/4 for the lens that I used), shutter was 30 seconds. It was pretty dark already, my camera was not able to focus just using ambient light. First I would use very powerful warm flashlight. I would point to a rock in the middle of the frame and focused the camera using auto focus. I would turn off auto focus then. Turn off the flashlight, so it does not light up something accidentally, and release shutter. Then quickly with the same powerful warm light I would trace the waterfall and the creek back and forth a few times to ensure that individual spots or streaks of light a now visible. That was taking me about 5 seconds. Then I would turn off flashlight and defocus the lens. The rest of 25 seconds I was using weak cool flashlight to light up sides of the frame while the camera was out of focus. I did this ten times or more, every time getting a different image – I love the element of surprise. This I think is the best out of the series.

A Dream About Water
A Dream About Water

One Arrow, Many Photos

Just how many photos of the same subject can be made? Apparently a lot.

One of the key locations we photographed on the last trip to Canada was an artificial lake by a tiny town of Nordegg. The winter is bitterly cold their and the lake freezes deep enough to walk on ice. The constant wind blowing over the lake keeps the ice clean from snow. What’s most interesting is air bubbles that rise from the bottom of the lake just to be captured in ice building fantastic three-dimensional structures.

One of such structures was in a form of an arrow. I was so drawn to it that I spent hours photographing it over two days. Coming up with new and new ways to do it. Here is how it looked:

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Now how about using flashlight to highlight part of an arrow? That circle at the head of the arrow seems very attractive:

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How about showing the arrow in the context of the area surrounding it? Let it be the lead to othe bubbles:

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Let’s step further away. How about hiding the arrow in a landscape for a curious eye to find:

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I’ve done much more different photos of the same subject on that trip; they are just not as good.

I guess my point is that I don’t come-see-take a photo. I work with the subject, explore it visually and find many photos of it which eventually dwindles to a few ones I keep.

Let the Flashlight Be

Another example of playing with light. This time it is not at night but at twilight. There was already enough of ambient light and I had to use two flashlights to highlight an interesting bubble structure in the ice.

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Path of Light

Photography has been and hopefully remain as much about playing and experimenting. One of such fun things is to introduce an artificial light sources in a landscape. The official term for it is “light painting” but for me it is just playing with flashlights, imagining what a landscape can be, and then getting a surprising result.

Like in this photo that I took at the Second Beach in Olympic National Park just after sunset, when it was dark enough for a long exposure and dark enough for a flash light (actually 3 flashlights) to make a difference.

Path of Light
Path of Light

Dunes Are Alive

Day 1, After sunset

Dunes come to life after sunset. After heat of a day a cool breeze feels refreshing. Insects are flying, bugs are crawling, animal sounds fill the air. Lonely lights floating over dunes. Those are photographers coming back after photographing sunset. 🙂

In Dunes at Twilight
In Dunes at Twilight