Life is full of experiences, exciting and mundane, surprising and routine, spending time with loved ones and grocery shopping and paying bills. It is not always that I can find time to go on a trip to some exciting location.
I dream. I dream a lot. I dream big. I dream of a life in a wilderness, photographing, painting, being creative all the time. But…
To be honest, as much as much as the dream of being in the wilderness all the time seems to be attractive it is not all that makes me happy. Having someone I love and who loves me back fulfills my life with happiness that I cannot draw from the wilderness. All the exciting and quiet moments shared together fill me with joy.
To be honest, as much as I want to photograph all the time, I have a limit to my creativity. After the first few active days on a trip I find myself exhausted and numb to everything around me.
To be honest, if I truly want to be creative, all I need is to take my camera and step out into my own backyard. Because that is all it takes to find this…
spring has come to Skygit Valley. Last weekend I went there to photograph daffodils but ended up photographing less daffodils and more of other scenes of Skygit Valley rediscovering it for myself. Even when there were daffodils in the frame they were taking very little part of it.
First, my attention was captivated by the snow geese taking rest in Skygit Valley during their regular migration.
Then I got fascinated by the smoke and steam coming from tall pipes and blending with the sky.
Then I noticed puddles in the fields and was looking for interesting reflections.
Then I went after complete abstract shots like this.
Then after lonely trees.
Then finally, by the end of the day I finally stood by a daffodil field. Even then I more enjoyed how the sky was painted with clouds then the flowers themselves.
This is yet another of the posts in line with the previous one where I advocate for not falling into a trap of repeating cliché image of a place but instead finding your own point of view.
There is an alley not far from my house with a trees that turn beautiful red in fall. The alley is on private property – fenced and gated. The place is quite popular in fall with local photographers. There are a few photographers there every morning taking photos thru the gate or waiting for their turn to take the photos thru the gate. I did so to. Mine look at little bit like painting because I used Orton effect.
Then I stepped back yielding the place to another photographer and realized that there is more interesting image with the gate which tells completely different story. It is not about lines of trees and foliage anymore. It is about something unachievable, out of reach, another world behind the gate. It is about reality and a dream world and the gate separating the two.
For a week the area where I live had fog. Every day. Every night. Whole day. Whole night. It was beautiful, smooth, thick, milky white fog. I love fog. It adds mystery and depth to everything.
Unfortunately, I was busy whole week and could not get out to photograph. But one night I just dropped everything I did, picked up my camera and went out on a walk around the neighborhood. While I may have not done any greatest hits, I still enjoyed reconnecting with what I love using even smallest moments I can carve out of sometimes busy days.
Here is in some sense a good representation of my suburban neighborhood and probably many other neighborhoods across US: proudly displaying their flag on their home, keeping cars outside despite having garage because the garage is filled with things that they still cherish, things that they find it hard to part but which they will unlikely to ever use again.
Sometimes plans don’t work out and I’m glad they don’t. One weekend another photographer and I were planning to hike up a mountain trail to photograph a lake in snow. When time came my buddy bailed out and I did not want to risk hiking in snow after dark alone. Instead I went to Kubota Gardens in Seattle and spent a day there.
Typically, when for places like parks or gardens close to home I try to find time during week or go with family during weekend for one or two hours to do photography. This was the first time I spend whole day in one relatively small garden. And it felt really good – photograph without rushing, lying under a tree, taking time, observing.
I’ve fell in love with this garden.
Early Morning Mist
Let Me Offer My Hand
Bush on Fire
Due Drops Caught in a Web
Simple Yellow on Red
Lying on the Ground Looking Into Sunny Sky
Rick Sammon likes to say “Don’t just take photos, make photos”. It is a great advice. And the photo in this post is a great example of that.
I had photographed this tree a few days before and came back to Kubota Gardens that day with a single goal to make more interesting picture of this tree. I got “inside” the tree. It was cozy and warm inside under the canopy of red and yellow leaves. I started with the same kind of photos at before. They were typical photos of branches with fall leaves.
Then I noticed a single leaf caught in the middle of a tree where many branches were coming out from the main trunk. Now, that was interesting. I took a few photos.
The single leaf did not really stand out it was blending in with the branches. There was a simple solution to that. I grabbed a bunch of leaves that were already on the ground and dropped on top of the single leaf. Now they had a party.
I took a few images again. It was nice but it was plain. The image of something mystical started brewing in my head. What if I make an image of a Heart of Autumn. The heart of autumn would be glowing. And a flash light could help with that.
Fortunately, I had a powerful spot light in my car (well, I always have several flashlight in my car). I overcame my laziness and packed my gear, went back to the car, grabbed the spotlight and went back to the tree.
Now I was shooting with a spot light. It took a few iterations to get light spot right in the middle of the pile of leaves. I still did not feel like I got it. The leaves in the background were as bright as those I was lighting up. it did not feel like leaves at the heart of the tree were glowing. The solution was to make reduce overall exposure of the image, while get more light on the leaves that I wanted to glow.
The end result:
Heart of Autumn
I’ve wrote about light painting before and I’ll likely write more again as this really fascinates me in photography. For me it is a lot of fun playing with lights, a lot of creativity as I create something that was not there in the first place, and a lot of surprise as most of the time what I get is unexpected.
Here is an image that got me very excited about light painting again. I spent a day photographing fall foliage in Kubota Gardens in Seattle (I’m still working on post-processing those photos). At dusk as it got dark enough for exposures to go up to 30 seconds I started playing with light painting with two waterfalls I found in the gardens.
I found the upper waterfall to be more interesting of the two because it had red leaves caught in the stream and I could get a more dynamic image with foreground and background.
There were two new things I played with this time. First, I brought two different flashlights: one had cool light and the other one had warm light. So, I could do not only light painting but also color painting. The other thing that I played with was focus, shifting focus in the middle of light painting. This created dreamy effect.
For those interested in more technical details here is how I took this image. The camera was on a tripod, aperture wide open (f/4 for the lens that I used), shutter was 30 seconds. It was pretty dark already, my camera was not able to focus just using ambient light. First I would use very powerful warm flashlight. I would point to a rock in the middle of the frame and focused the camera using auto focus. I would turn off auto focus then. Turn off the flashlight, so it does not light up something accidentally, and release shutter. Then quickly with the same powerful warm light I would trace the waterfall and the creek back and forth a few times to ensure that individual spots or streaks of light a now visible. That was taking me about 5 seconds. Then I would turn off flashlight and defocus the lens. The rest of 25 seconds I was using weak cool flashlight to light up sides of the frame while the camera was out of focus. I did this ten times or more, every time getting a different image – I love the element of surprise. This I think is the best out of the series.
A Dream About Water