Backlog

Finally, finally, I caught up on the backlog of images I had not processed over the past year. I have no backlog now. Hopefully, I will keep it that way.

With that said, here are a few paths I have taken over the past year.

Print is the Ultimate Editing Tool

I’m working thru a backlog of photos I took last fall. And I find a lot of good ones that are too hard to choose from. They are of the same place as I visited the same place over and over photographing in different light, different time of day, different weather.

Making selection from a large set of image close to each other is tough. After narrowing the set of picked images to about 50 I hit a wall. I could not reject any more images. This was about two months ago.

Now two months later I went back trying to reduce selection further. I was able to reject about 30 more images and get selection down to about 20. It was still too many. Too many images that looked too alike.

While working thru the backlog of the images I’ve been also getting ready for the new season of the art fairs. The first art fair of this year is not far away in just two months and really-really wanted to have some new work to show.

With no more ideas of how to make progress I did something I’ve never done before: I’ve printed all those images. I’ve laid them out on the table on the floor, wherever I could find space. One large room filled with images. I’ve started “visiting” the room. My first two visits I still could not reject any images.

Then one day I’ve decided to pull one out, the one that seemed the weakest of the bunch. Then I pulled out one more because there were two that were so close it did not matter which one to keep and which one to reject.

As I spend more time with prints it seemed my vision was unfogging and I was getting more and more clarity. In a few days I was rejecting several prints at a time thinking: of cause the remaining are better – how I could not see it earlier.

Here is one that stayed in “keep” pile.

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New Year, New Challenges

I celebrated this New Year in Stockholm, Sweden. This was mostly a social and sightseeing trip but I still took my trusted camera because… just because that’s the way I am.

What was different this time though is that I did not take my tripod. I tried to challenge myself to capture fleeting moments, to be more mobile and to create a story with several photos.

This is very different from the way I am used to take photos. Many of my photos have long exposure, taken from a tripod and I spend a lot of time in the same spot, trying various angles, adjusting framing, micro-adjusting positioning of the camera to take the best image possible.

What I had not realized just how little light Stockholm gets in winter even during midday. I had to crank up exposure to 400-800 ISO just to get 1/40 sec exposure with fully open aperture during day. Nights were out of the question. So, I missed my tripod.

Finally on the last day of my stay in Stockholm something happened that made things a little bit brighter: snow. Rather then going into the city I went into kind of park and kind of forest. Turns out it does not matter where I go, I enjoy hiking in the nature. Nothing better for me. And hiking in the snow was a special treat.

There is a special kind of silence reserved only for quiet snowfalls. There is absolutely no sounds. Everything is still like a picture. And only snowflakes dancing in the air.

P.S. In retrospective it was a good decision not to take tripod on that trip. Even though I could not know way back that it would be a good decision. On the way back my luggage was lost and the airline has no idea where it is. But I have my tripod with me safely at home.

Random Stops

My excuse to mostly travel by car is “to stop and photograph along the way”. I know it is only an excuse though because once I get on the road I keep going without stopping all the way to the destination.

One reason I don’t stop along the way is because I’m putting my tunnel vision goggles on. I’m imagining the photographs I’ll do at the destination and want to get there as fast as possible.

Another reason which is much deeper and scarier is that I’m afraid to fail. I mean I can stop somewhere and there would be nothing to photograph. No, that’s not the right way to say it. There is always something to photograph. But there would be nothing that I’d like to photograph, there would be nothing that connects with me, nothing that relates to me. And I would be just wasting my time.

It takes an effort – it still does and likely will always do – to overcome that and force myself to stop at random places. Sure in 99.99% of cases I don’t find anything that would meet my eye. But then in that very small percentage point I’d find something like this and my heart starts to sing.

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Being Flexible

Sometimes plans change and I’m glad about it.

My plan for the last weekend was to drive around and capture the last signs of fall. I planned to spend first day near Leavenworth. On the second day I planned to go to The Boardman Tree Farm in Oregon. I had never been there and wanted to take a look after seeing some amazing photos from there. After visiting the tree farm I going going to drive down to Columbia Gorge the same day and spend two days photographing along Columbia Gorge.

Everything had been going according to the plan up to the point I got to The Boardman Tree Farm. The place was simply amazing, magical in its fall glory. I did not want to go anywhere. Lines of trees with fall colors, scent of foliage in the air, quite and peace of a forest. I did not want to go anywhere. I was photographing and photographing and photographing. And when I was tired and could not photograph anymore I would just stand still and be part of the forest.

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One Step Back

I’m back from Norway. Well, I’ve been back to Seattle for two months, enjoying my old friends: Olympic National Park, Rainier National Park, Enchantment Lakes and trails around Seattle.

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One of the icon places in Rainier National Park is Reflection Lakes. In fact by far this is the place to photograph at sunrise. And pray the water is still as a mirror. I had not visited it for a while as it is over-photographed in my opinion. I had preferred exploring new places in this vast park.

On a whim of nostalgia since I have not been in the park for four months I went there to enjoy the classic view. It was the first  freezing night of the season. Frost was covering grass, logs, and few remaining leaves. Fog was rising over the lakes and slowly moving over the still water.

There were a few more photographers besides me there. All of them trying to get as close as possible to the water going for pure perfect reflection photograph. I on the other hand step back a bit and have edge of the lake nicely framing the mountain reflection. Here is my almost classic image of the mountain:

But then I thought that what was really interesting and unique about that morning was the first frost. So, I walked away from the lake to the point where I had seen two logs pointing in the direction of the mountain. To me these images are more interesting. The first one was taken before sunrise during twilight and the second one was taken right after sunrise.

When Less Is More

With better and better sensor technology and better software for HDR processing we can capture an incredible dynamic range in our images where we have an incredible details in highlights and in shadows.

Would photographers of the past be amazed with amount of details we can capture? Maybe. But I really miss silhouetted photos that have become such a rarity. They reveal very little leaving a lot of room for imagination.

The photo can be not about what is said but about what is not said, or to be more accurate about what is not shown and not about what is shown. It can be about mystery left in the shadows.