A popular piece of advice in landscape photography is to stay and wait at sunset till the last light disappears. You never know what surprises can happen at sunset. I’ve advocated for the same myself. But…
A couple of days ago I went to Mount Rainier National Park. I hiked to one of my favorite spots up the Pinnacle Peak trail. I had not been there for, well, a year. I had missed it and was very glad to be there again.
I got there just in time for sunset. I intended to stay there during the sunset taking pictures and enjoying the view. Well, the joy did not last long. My presence attracted swarms of mosquitoes. The little devils would bite me in several places at once. Instead of enjoying the wilderness and taking pictures, I was spending most of the time swatting mosquitoes. It was not fun. It was not enjoyable.
Frustrated, I decided to head back before the sun even dropped below the mountain ridge. The way I rationalized it to myself was that if I were to spend every sunset and every sunrise in the same well-scouted places I would never see it in from any unexpected places.
As I was heading down the trail, that was exactly what happened. A beam of sunlight found its way through the clouds and the mountain peaks as the sun just settled below the mountain ridge. I was awestruck by the unexpected photo opportunity. I was glad I started heading down early. I would not have been able to see this from the place where I had planned to spend the sunset.
Be open to photo opportunities everywhere, seek out and be prepared for the unexpected.
Recently I went on a trip with my girlfriend to Rowena Crest to photograph wild flowers. As we stopped by one of many meadows filled with bright yellow flowers I asked her a question.
“Look,” I said, “there is this meadow of flowers. I bet there are good photos here but I don’t see any. What about you? Do you see any?”
Her reply made me think for a while about my motivation: “You need to believe that the place is beautiful to make beautiful photos.”
I realized that I did not think that particular meadow was very beautiful. There were random patches of flowers. None really stood out.
The reason I wanted to take pictures was that it was a rare opportunity for me: those flowers were there for a short time a year and we had to drive four hours to get there. As such I wanted to squeeze every possible photo from every meadow we came across.
I still took a few pictures there but I did not have a goal of making beautiful pictures. I was experimenting with compositions, finding patterns in a chaos and leading lines in twisted tree branches.
I did make beautiful pictures on that trip in the places I believed to be beautiful.
A few days ago I was taking a photo of chairs in a park behind an office building. While trying to find an interesting pattern in the seemingly random location of the chairs I had an interesting thought. There might be photographers who’d come to a scene like this one and rearrange it in the way it is appealing. I on the other hand just looking at it, from different angles, from different point of views, trying to read its stories the way they are.
I do the same while photographing a landscape. I never rearrange a scene, moving only my camera trying to find an interesting picture. I appreciate the scene for what it is, for what it tells me. I just need to be a willing listener.
At the trip to the Death Valley last December I visited Racetrack Playa for the first time. I’ve dreamt about visiting this place for so long, about seeing its sailing stones – stones moving across playa leaving tracks in clay that covers the playa.
With dismay I discovered that the place is mostly ruined by the visitors. There were a lot of tracks with stones stolen from them. Some tracks had stones that clearly did not belong there. In addition there were signs of vandalism: tracks left by motocycle and truck tires. It took nature many years to create this unique place. It took humans just a few years to ruin it.
Long time ago, when I only started doing photography more as artistic pursuit than a record of personal life my focus was completely on making stunning images, images that captivate viewers. If I came back from a trip with no great images because weather did not cooperate or my creativity was on a break, I would have been depressed: the trip was a failure. And if I brought great images I would have been extremely happy.
Now I travel more and more for experience. The experience of being somewhere. The experience of living there. The experience of being one on one with the nature, or being with likeminded friends, or being in another culture.
Don’t get me wrong. If I make a great image in the process I’m still excited like a kid for a new toy. But I enjoy the full experience and enjoy it independently of whether I make great images. Making photographs only makes me more acute to the world around making me, more sensitive to the experience.
One of the memorable experiences on the last trip was a trip to the backcountry of the Monument Valley with a local guide. We were lucky to get some decent light and I got some exciting images but photography was only a part of the experience.
I also enjoyed being in the wilderness, the food cooked on the coals of a camp fire, the dinner by the campfire, sleeping in a tent surrounded by the noises of the wilderness away from industrial noises of the modern houses, the waking up to the rain bouncing on the tent in the morning urging me to get my boots into the tent before they are filled with water, the eerie silence when all birds and critters suddenly went silent just as the sun hidden by the clouds broke the invisible line of the horizon, the hot coffee on the chilly morning as the campfire was dying down with no one feeding it more logs.
That is the full experience. That is worth living for.
How often do we pass on opportunities to make photos because we are so busy with routine every day motions of our lives? Trip planning and preparation requires a lot of effort and thus does not happen often. But photography is not about trips to exciting destinations, it is about taking a camera in your hands and stepping out of the door.
For a couple evenings now I’ve visited a park that is within a couple miles from my home. There was not much there to see except grass dried out by relentless summer sun and an open view of sunset.
So, I’ve photographed the grass at sunset. And as I got a taste of it I started noticing grass details that would work nicely with the sunset. I ended up with a series of photos I’m very excited about.
(Continueing from my previous post.)
On the way back from Columbia Gorge I stopped along the road at Toppenish National Wildlife Refuge. Something caught my eye as I was passing by. Ponds of still water reflecting clouds. I stopped by and decided to stay there till sunset.
I was standing at the edge of a pond waiting for the sunset. My camera was on a tripod next to me waiting for the sunset. Wind was blowing in my face as I looked at the sun approaching the horizon. It was as simple of an experience as possible. And it was beautifully satisfying.
I standed there for an hour, just being there, experiencing it with every sense of my body, recording it in my memory in all its rich beauty. Because that’s what my life is all about.
I found certain photos to be great for meditation. I can stare at the for long time and think about something that I cannot remember anything of later. They are just so calming and simple.