Snow in the Palouse, cold, windy… I went there again to see it, to photograph it, to experience it. And I was blown away by the beauty of it again.
I arrived there at night on the longest night in the northern hemisphere. Most of the drive was in the dark and most of it was snowless. But the temperature drop was noticeably. As I was driving I was watching outside temperature on my car dashboard. I wanted to know when it drops below freezing to drive slower in case there are ice patches on the road. As I got to the crossing over Columbia river I was watching in awe how temperature was dropping down another degree every 10-20 seconds. It was unbelievable: how temperature could go from +4 to –7C in a span of just a few kilometers.
As I was getting closer to Colfax the snow started showing up. It was getting thicker and thicker. It felt like the Palouse was the only place that had snow, isolated island of snow surrounded by bare land. And it was all in deep fog. It was beautiful. I just had to stop and photograph.
I stopped at the entrance to one of the side roads that was covered with too much snow, not drivable. I went to photograph a small farm by the road. I stayed close to the main road as snow was too deep to wonder off. I was taking picture after picture with long exposure. A snow plow truck passed by cleaning snow from the road. Smashing me with the powerful spray of wet snow and dirt. I was not angry, I was strangely calm, nothing could disturb me soaking up the beauty around me. And after all I saw his tracks – he tried to drive the truck farther away from me but splashing me was unavoidable.
I spent several more hours just driving around looking at all of it, enjoying all of it. Finally, past midnight I stopped, climbed into the back of my car and fell asleep, tired and happy.
For a week the area where I live had fog. Every day. Every night. Whole day. Whole night. It was beautiful, smooth, thick, milky white fog. I love fog. It adds mystery and depth to everything.
Unfortunately, I was busy whole week and could not get out to photograph. But one night I just dropped everything I did, picked up my camera and went out on a walk around the neighborhood. While I may have not done any greatest hits, I still enjoyed reconnecting with what I love using even smallest moments I can carve out of sometimes busy days.
Here is in some sense a good representation of my suburban neighborhood and probably many other neighborhoods across US: proudly displaying their flag on their home, keeping cars outside despite having garage because the garage is filled with things that they still cherish, things that they find it hard to part but which they will unlikely to ever use again.
I took this photo in the Palouse back in August this year but was holding it back to use it to wish everyone a happy Halloween. Enjoy this image of an abandoned house on one very stormy summer night. It looks very much like a haunted house.
“The thing’s hollow – it goes on forever – and – oh my God – it’s full of stars!” – Arthur C Clarke “2001: A Space Odyssey”
When I was a kid I loved science and I loved science fiction, not the kind with goblins, demons and fairy tale creatures but the kind about interstellar voyage and discovery, distant stars and worlds around them.
One of those stories that I remember particularly well was about a world with three suns, a world where darkness had no place, a world without stars, with intelligent race who believed there is only small space around them, that they are alone in the Universe. Every so often a global cataclysm was sweeping thru the planet as all three suns where aligning and giving a gift or curse of night with all the stars in the sky. Every adult on the planet would turn mad from the shock of realization that there were infinite number of worlds in the Universe, that they are not alone. What remember from the story the most is that feeling of shock and awe of seeing so many stars.
Now I’m a grown up man but I still love science fiction. How is it relevant to photography? What if we imagine a world where stars can be visible even during day…
A while ago I published this photo from my trip to the Palouse: Taking Advantage of Imperfections. I like the photo. It has some surreal quality to it. But to me it was not finished yet or at least it was not what I intended for it.
I wanted to create an imaginary world where sun and stars can be seen at the same time. I took the same photo at night with intention to merge the two into one. When I did it it became even more surreal. At the same time I recognized that the pattern of stars from that view point was completely random. They were randomly filling the sky making it more interesting but not adding anything to the composition.
If only I had Milky Way spreading its wings around the Sun, along the sun rays extended by imperfection in my polarizer – that would be really interesting. So, on my recent trip to Rainier I photographed Milky Way positioning it within frame where I ‘d like to have it on the final image. Here is the end result the way I intended it. To me it looks even more surreal than before and at the same time somehow very harmonic.
I’m interested in what you think about these to images?
I’ve probably mentioned before that I love photographing at night. Ok, if I have not then I’ll say it now. I love photographing at night.
There are several reasons for that. First, I like element of surprise in night photography. Human eye cannot see that well at night (though you’ll be surprised to how well it can see once you give it time to adjust to low light). Thus I don’t quite see how photo will look like. After setting up first exposure just having a general idea, I take it and I get a surprise as I can see things that a human eye cannot see: details and shapes that are too dark to see, movement of clouds and stars at long exposure.
The second reason why I like night photography is because it gives me an opportunity to play with light: flashes, flashlights, gels. That’s where creativity really kicks in. Rather than capturing what’s presented to me in the best way possible, I create something out of my mind.
On this trip (just as on many others) I’ve dragged the whole gang out of cozy rooms into bitter cold two hours before sunrise to get some time for night photography. This time I played with flashes. I’d work on the ice and after certain number of steps would put a flash against the ice and fire it.
Day 4. Last Night
For our last night at Enchantment Lakes we setup our camp by Lake Viviane. At first we set it up on an open area by the lake. But the wind was picking up. After some discussion we relocated the camp to a site where big boulders and trees were shielding us from the wind. We’ve made a really good choice.
Later, before going to sleep, I wanted to setup camera for another long night exposure. Once I stepped out of our camp site I felt the strength of the wind and decided not to leave camera out on tripod out of worries that the wind would knock it over.
By the last night at Enchantment Lakes I finally figured out the right combination of clothe, sleeping mat pressure, face cover (from freezing air) to get a good sleep. I dropped off to sleep quickly.
I was woken up in the middle of the night by the wind gusts that were squashing down our tent. That was inside our camp site protected by boulders and trees. Outside the camp the wind was roaring. I fell asleep just to be woken up again and again by the top of the tent squashed onto me by a wind gust.
By the morning wind quieted down a little bit and I fell in deep sleep.
Day 2. First Night at Lake Perfection Camp
As the sun dropped behind the mountains and it started getting darker, we headed back to setup our base camp.
I could not get much sleep again. I still was not very comfortable but that was not the only reason. At night I was woken up by wind gusts and what appeared to be rain. It was rain but it did not have water in it. It was rain of larch needles shaken off trees by wind gusts. I realized it once I got out of tent to get everything we had left outside into the tent.