Tag: light

When Less Is More

With better and better sensor technology and better software for HDR processing we can capture an incredible dynamic range in our images where we have an incredible details in highlights and in shadows.

Would photographers of the past be amazed with amount of details we can capture? Maybe. But I really miss silhouetted photos that have become such a rarity. They reveal very little leaving a lot of room for imagination.

The photo can be not about what is said but about what is not said, or to be more accurate about what is not shown and not about what is shown. It can be about mystery left in the shadows.

Anticipation

I’m sitting in a hotel room in a hot hot Dubrovnik in Croatia but my thoughts are about cool Lofoten. Apparently heat and me don’t go together very well. My brain is boiling with a temperature close to 40C outside and I cannot put a single thought together. So, I spend middays in a hotel room with air conditioning and mornings and evenings in a pool or the sea.

Cool weather is much easier for me. It helps me think and be more creative. Cool weather such as in Lofoten. I remember its very unstable nature. It could change from rainy to sunny and back to rainy within an hour. That kind of change creates great sky and great light. I just need to be patient and watch for an opportunity, hunting for a great light and composition. All the images below were taken from the same spot on the same day but how different they are!

I remember when I planned my first trip I was very concerned about rainy forecast. On being there I understood that “rainy” weather is exactly what I need as it created drama and emotion.

Why do I think about Lofoten now? Because in a week I’m going there again. This time for longer and with a knowledge of places that can give me the best experience.


Waiting for the Light

April 18

Summer is here. Well, not official summer, not astronomical summer, but a northwest summer. I like how summer starts all of the sudden in pacific northwest. One day it is cold, rainy and gloomy and the next day it’s sunny and warm. And it does not get back to the way it was all winter. The trails get crowded with happy faces. Finding isolation becomes harder. No complaining here.

Today is such a day. I woke up and realized that. Birds are singing to the rising sun. Trees have put their green summer clothes. They are not quite the dark green of mid summer but a fresh bright green shimmering in the morning breeze.

As it became my recent habit I went to another hike I have not been to. Just to walk the woods. The parking lot at the trail head was packed. Well, that’s summer. I found a spot, got my backpack ready and hit the trail.

This time I had spent some time researching trails around. I was looking for trails that would cross creeks. It is a good time to walk those trails. Snowcaps are melting filling creeks with water. Many of them will dry up by the middle of summer.

The trail was going to Mason Lake and Bandera Mountain. The trail indeed crossed several creeks. One of them was really full of water and had an impressive waterfall. I’ve composed the frame and it was turning out to be even better than I thought. Except one thing: there was a bright light spot from the sun breaking thru the trees in one corner of the frame. It just did not work. I decided to try it again on the way down.

On the way down I stopped by the waterfall again and the light completely changed. The waterfall was in full light. Which did not work either. Oh, well, maybe some other day.

April 26

One week later. It looks like winter has come back. It is cold, overcast, and gloomy. It might be a good time to visit the same waterfall I visited a week earlier. Overcast might be just the right weather for it. The scene might be more evenly lit with less contrast between light water and dark rocks.

Here it is. The overcast might have worked better then sunny. I still wonder how it looks like in twilight. Maybe some other day.

And here is a little bonus. A small creek I crossed on the way to the waterfall.

Ask Locals

To Dmitri and Marina: Thanks to you guys for pointing some beautiful places in Banff.

On my trip to Alberta I met my friends Dmitri and Marina who live in Calgary. First, we met in Banff where they were celebrating 25th Anniversary of their marriage. They suggested to me a few places to see in and around Banff.

On of those places was Johnson Canyon. It sounded interesting and I went there. It is a small canyon with a stream running at the bottom. The trail is well-setup and quite active with hikers. There is a guard rail that keeps hikers of falling into canyon. For me it was an obstruction. I did not want to look at the bottom of the canyon from a distance. I’d rather be down in the canyon, close by water, to be participant not observer, to be in the scene and be part of it.

My only photo from the first trip was a photo of frozen lower waterfall:

A few days later I visited my friends at their lovely home. Sure enough we shared some photos. It turned out they went to Johnson Canyon too the next day after me. It looked to me like they were photographing close to water, just like I wanted too. I asked how they got their and they told me that there was one spot where one could climb over guard rail and get down to the bottom of the canyon.

The next day I went to Johnson Canyon again. That time I was closely watching over the guard rail for footprints in the snow and I found the spot my friends had talked about. The walk down was very steep but manageable. At the bottom I found a throve of photo opportunities. There was a small cave covered with icicles, there was clear snow not covered in footprints, , there was a stream in the snow.

Never Give Up

I’ve just got back from a week long trip to Alberta, Canada. The trip was tiresome as it involved more driving that I wished for due to road closures.

My main destination was Abraham Lake. I was coming from Banff and was going to take Icefields Parkway to get to Abraham Lake. Unfortunately, when I got to Icefields Parkway I discovered that it was closed till at least noon of the next day due to unsafe driving conditions. The only way left to get to Abraham Lake was all the way around thru Calgary and thru the north route. That meant extra 5 hours of driving. It also meant I would unlikely make it there by sunset of that same day.

I had little choice but to drive that long way around. I got to a small ghost town called Nordegg where I had a hotel reservation just before sunset. I had a choice before me: to stay and relax for the night or to go to Abraham Lake (another half an hour driving). The sky was overcast with no breaks in the clouds.

I went to the lake anyway. I thought I at least check out ice conditions for the sunrise the next day.

I got to the Abraham Lake just after sunset. The sunset was purely theoretical as the sun was not visible thru the clouds. The wind was strong albeit warm. As I open a door a gust of wind almost knocked me over. The ice was covered with melted water. Everything seemed to tell me to get back to the hotel and be done for the day.

Nevertheless I put on spikes on my shoes, took my backpack with photo gear and tripod and went down to the ice. I always take photo gear with me, it has become part of me. Even if there was nothing happening I could take a few test shots to figure out what’s best lens, settings, filters to use and get sketches for ideas I might implement later.

I’m quite cautious person when it comes to water. I almost drowned when I was a teenager. The memory of that still makes me afraid of water. So, I carefully stepped on ice and was staying by the shore to gain some confidence. But then the last rays of the Sun broke thru somewhere beyond horizon and lit up the clouds from below. That was the kind of things I dream about as a photographer. The light was surreal violet. I forgot about my fears of water and ran in a search of bubbles frozen in ice to complete the image of surreal landscape.

Violet Sunset

Violet Sunset

Studying Time

I’ve been studying time in photography, experimenting with different things for over a year. How to capture time in one image? What if images from multiple times are combined into one? What’s behavior of different moving subjects over time? This requires a lot of patience (which to be honest I’m lacking) keeping camera in exactly one position recording world around it at it changes.

The best part of it is a suspense waiting for images to be processed and see the end result. The worst part is not knowing if any of it will be any good.

So far I have had lots of ideas with little success. Finally, it starts yielding some interesting results. Look at those clouds: don’t you like the painting like look of them? That’s no painting though. It is a lot of images taken over time with camera stationary in the same place on a tripod. Good thing there were no cars on this rural road that gave me enough time to make it.

Snow in the Palouse: The Night I Came

Snow in the Palouse, cold, windy… I went there again to see it, to photograph it, to experience it. And I was blown away by the beauty of it again.

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I arrived there at night on the longest night in the northern hemisphere. Most of the drive was in the dark and most of it was snowless. But the temperature drop was noticeably. As I was driving I was watching outside temperature on my car dashboard. I wanted to know when it drops below freezing to drive slower in case there are ice patches on the road. As I got to the crossing over Columbia river I was watching in awe how temperature was dropping down another degree every 10-20 seconds. It was unbelievable: how temperature could go from +4 to –7C in a span of just a few kilometers.

As I was getting closer to Colfax the snow started showing up. It was getting thicker and thicker. It felt like the Palouse was the only place that had snow, isolated island of snow surrounded by bare land. And it was all in deep fog. It was beautiful. I just had to stop and photograph.

I stopped at the entrance to one of the side roads that was covered with too much snow, not drivable. I went to photograph a small farm by the road. I stayed close to the main road as snow was too deep to wonder off. I was taking picture after picture with long exposure. A snow plow truck passed by cleaning snow from the road. Smashing me with the powerful spray of wet snow and dirt. I was not angry, I was strangely calm, nothing could disturb me soaking up the beauty around me. And after all I saw his tracks – he tried to drive the truck farther away from me but splashing me was unavoidable.

I spent several more hours just driving around looking at all of it, enjoying all of it. Finally, past midnight I stopped, climbed into the back of my car and fell asleep, tired and happy.

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On a Foggy Night

For a week the area where I live had fog. Every day. Every night. Whole day. Whole night. It was beautiful, smooth, thick, milky white fog. I love fog. It adds mystery and depth to everything.

Unfortunately, I was busy whole week and could not get out to photograph. But one night I just dropped everything I did, picked up my camera and went out on a walk around the neighborhood. While I may have not done any greatest hits, I still enjoyed reconnecting with what I love using even smallest moments I can carve out of sometimes busy days.

Here is in some sense a good representation of my suburban neighborhood and probably many other neighborhoods across US: proudly displaying their flag on their home, keeping cars outside despite having garage because the garage is filled with things that they still cherish, things that they find it hard to part but which they will unlikely to ever use again.

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Make Photo

Rick Sammon likes to say “Don’t just take photos, make photos”. It is a great advice. And the photo in this post is a great example of that.

I had photographed this tree a few days before and came back to Kubota Gardens that day with a single goal to make more interesting picture of this tree. I got “inside” the tree. It was cozy and warm inside under the canopy of red and yellow leaves. I started with the same kind of photos at before. They were typical photos of branches with fall leaves.

Then I noticed a single leaf caught in the middle of a tree where many branches were coming out from the main trunk. Now, that was interesting. I took a few photos.

The single leaf did not really stand out it was blending in with the branches. There was a simple solution to that. I grabbed a bunch of leaves that were already on the ground and dropped on top of the single leaf. Now they had a party.

I took a few images again. It was nice but it was plain. The image of something mystical started brewing in my head. What if I make an image of a Heart of Autumn. The heart of autumn would be glowing. And a flash light could help with that.

Fortunately, I had a powerful spot light in my car (well, I always have several flashlight in my car). I overcame my laziness and packed my gear, went back to the car, grabbed the spotlight and went back to the tree.

Now I was shooting with a spot light. It took a few iterations to get light spot right in the middle of the pile of leaves. I still did not feel like I got it. The leaves in the background were as bright as those I was lighting up. it did not feel like leaves at the heart of the tree were glowing. The solution was to make reduce overall exposure of the image, while get more light on the leaves that I wanted to glow.

The end result:

Heart of Autumn
Heart of Autumn

A Dream About Water

I’ve wrote about light painting before and I’ll likely write more again as this really fascinates me in photography. For me it is a lot of fun playing with lights, a lot of creativity as I create something that was not there in the first place, and a lot of surprise as most of the time what I get is unexpected.

Here is an image that got me very excited about light painting again. I spent a day photographing fall foliage in Kubota Gardens in Seattle (I’m still working on post-processing those photos). At dusk as it got dark enough for exposures to go up to 30 seconds I started playing with light painting with two waterfalls I found in the gardens.

I found the upper waterfall to be more interesting of the two because it had red leaves caught in the stream and I could get a more dynamic image with foreground and background.

There were two new things I played with this time. First, I brought two different flashlights: one had cool light and the other one had warm light. So, I could do not only light painting but also color painting. The other thing that I played with was focus, shifting focus in the middle of light painting. This created dreamy effect.

For those interested in more technical details here is how I took this image. The camera was on a tripod, aperture wide open (f/4 for the lens that I used), shutter was 30 seconds. It was pretty dark already, my camera was not able to focus just using ambient light. First I would use very powerful warm flashlight. I would point to a rock in the middle of the frame and focused the camera using auto focus. I would turn off auto focus then. Turn off the flashlight, so it does not light up something accidentally, and release shutter. Then quickly with the same powerful warm light I would trace the waterfall and the creek back and forth a few times to ensure that individual spots or streaks of light a now visible. That was taking me about 5 seconds. Then I would turn off flashlight and defocus the lens. The rest of 25 seconds I was using weak cool flashlight to light up sides of the frame while the camera was out of focus. I did this ten times or more, every time getting a different image – I love the element of surprise. This I think is the best out of the series.

A Dream About Water
A Dream About Water