There are moments in the Nature so quiet and peaceful that I’m reflexively holding my breath afraid that the mere whisper of breathing will destroy the magic of the place.
I love nature, I love wilderness not only for what it is but also for an opportunity to run away from the noise, chaos and often purposelessness of our civilization.
That’s why I so much like to go to Olympic National Park in winter. The weather is less than inviting most of the time that keeps most tourists out and I often have places crowded in summer to myself. They become something else allowing truly appreciate their beauty.
When I find such a place where I experience a sense of harmony with my surroundings I put camera aside and just enjoy those moments of quiet and peace; following leisurely moving waves on a lake or slow floating clouds in the sky. And I feel like I belong here.
Pacific Nortwest of the US rarely experiences freezing temperatures in low elevations making for more exciting winter photography.
It has been my long time dream to go out to Olympic coast around winter solstice. The sun is at the lowest point of the year making shadows longer whole day. Unfortunately with all the holidays preparation I hardly could get out and photograph during this time of a year.
This year I could finally get out and photograph. I was hoping for heavy clouds, moody skies typical here this time of the year. Instead it was kind of like summer: clear blue sky; the sun shining bright. The only difference was that it was very cold and I needed layers of clothing to keep myself warm.
Such conditions made images including lots of sky quite boring. At the same time the temperature dropped below zero which made it a good time to visit some old favorite places and see them in the new way.
I’ve wrote about light painting before and I’ll likely write more again as this really fascinates me in photography. For me it is a lot of fun playing with lights, a lot of creativity as I create something that was not there in the first place, and a lot of surprise as most of the time what I get is unexpected.
Here is an image that got me very excited about light painting again. I spent a day photographing fall foliage in Kubota Gardens in Seattle (I’m still working on post-processing those photos). At dusk as it got dark enough for exposures to go up to 30 seconds I started playing with light painting with two waterfalls I found in the gardens.
I found the upper waterfall to be more interesting of the two because it had red leaves caught in the stream and I could get a more dynamic image with foreground and background.
There were two new things I played with this time. First, I brought two different flashlights: one had cool light and the other one had warm light. So, I could do not only light painting but also color painting. The other thing that I played with was focus, shifting focus in the middle of light painting. This created dreamy effect.
For those interested in more technical details here is how I took this image. The camera was on a tripod, aperture wide open (f/4 for the lens that I used), shutter was 30 seconds. It was pretty dark already, my camera was not able to focus just using ambient light. First I would use very powerful warm flashlight. I would point to a rock in the middle of the frame and focused the camera using auto focus. I would turn off auto focus then. Turn off the flashlight, so it does not light up something accidentally, and release shutter. Then quickly with the same powerful warm light I would trace the waterfall and the creek back and forth a few times to ensure that individual spots or streaks of light a now visible. That was taking me about 5 seconds. Then I would turn off flashlight and defocus the lens. The rest of 25 seconds I was using weak cool flashlight to light up sides of the frame while the camera was out of focus. I did this ten times or more, every time getting a different image – I love the element of surprise. This I think is the best out of the series.
A Dream About Water