I’ve finally completed editing photos from my trip to Colorado. Despite my misadventures that I’ve already described I’ve brought quite a few photos of intimate places I really liked. There are a few themes I can see thru the photos. One of the themes are reflections. Here a few photos with reflections. Enjoy!
(A series of three stories – frustrating, scary and happy – with a common thread.)
At the dawn of photography back in 19th century there was this guy by the name Oliver Wendell Holmes, Sr who was a big advocate for photography in general and travel photography in particular. He talked about taking a photograph as taking a “skin” of reality that was based on his interpretation of an old Greek myth. I don’t want to go too far into that direction as it is not the point of my blog post. The interesting part is that he also warned of possibility of overskinning some scenes. He was concerned that some scenes might be photographed to the point when the scenes themselves will be not interesting. I came face to face with that on my trip to Colorado this fall.
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Pacific Northwest has very limited opportunities for fall colors. You’d need to scramble for interesting fall color compositions outside cities in evergreen forests. Going to Colorado and diving into fall colors was a long waiting dream of mine. This year I finally went there. It turned to be a lot of what I expected, a lot more than I expected and some that I’d rather not have. This three stories with a common theme of what photography is for me and what it is not.
Since it was my first time in Colorado I did not have any places of my own in mind; I mostly traveled to well-known places. One of such places is Maroon Bells Lake. It is considered an iconic place of Colorado. Another photographer who went there last year warned me to come an hour before sunrise as there are quite a few photographers coming there to photograph sunrise there.
I scouted the place I want to photograph a day before and showed up there about an hour before sunrise. There were about 20 more photographers along the lake. The place I had scouted the day before was not occupied. I set up my camera on tripod and started waiting. It was freezing cold but everyone was jolly with anticipation. Over the hour that followed number of photographers slowly grew to 70 but everyone was polite and asked if they’re in the way when they setup camera.
Everything was well right up to sunrise, crowded but well. Right before sunrise a guy showed up and put his tripod right in front of my camera. When I politely noted that I was photographing there and he was blocking part of my frame, he said that everyone else was photographing too and would not move. I was pissed but not sure what to do about it except to frame a different image. There was still no way to completely avoid him, so I removed him from a corner of my image in Photoshop.
Next morning I went there without much enthusiasm but with a hope to still take the image I wanted. When I arrived there were already about 50 photographers. The spot where I wanted to make a photo was taken. I got what I got. By the sunrise there were more than a hundred photographers. It was crowded and did not feel very friendly. A guy on the right was frustrated with his gear which he had too much of; switching it constantly in indecision what to use; getting tangled up in it. I was locked into taking one and only one composition. Anything else would mean getting a bunch of tripods in my frame or getting myself into someone else’s frame. Can I be creative in such environment? No.
Fall. So many colors. Changing quickly. Fleeting moments…
I love fall most of all. When I was a teenager my favorite time of a year was spring when everyone springs into action, when air is filled with scents of blossom and fresh greenery. Now fall is my favorite. Is it because of age? Or simply the fact that I live in an evergreen state now?
Fall is the busiest time of a year for me. I like spending hours meditating with my camera in a solitude of the Nature. I love diving into its colors. This year I’ve already spent time photographing fall in Colorado, and in Rainier National Park. This week I’m going to yet another location. Naturally, I cannot keep up with processing all the photos. Well, I’ll have the whole winter for that. But I feel like I have to keep up with writing blog. I promised that to myself. So, here is one image from Colorado.
Colors of Fall
Good images like good wine need time to age. This images have been parked parked on my hard drive for two months. I’ve been coming back to them slowly processing and reprocessing them. They were taken along highway 2 in Washington state near small town Leavenworth.
The fall foliage is beautiful there. This is probably the most beautiful and most popular place in Washington for fall foliage.
Sometimes plans don’t work out and I’m glad they don’t. One weekend another photographer and I were planning to hike up a mountain trail to photograph a lake in snow. When time came my buddy bailed out and I did not want to risk hiking in snow after dark alone. Instead I went to Kubota Gardens in Seattle and spent a day there.
Typically, when for places like parks or gardens close to home I try to find time during week or go with family during weekend for one or two hours to do photography. This was the first time I spend whole day in one relatively small garden. And it felt really good – photograph without rushing, lying under a tree, taking time, observing.
I’ve fell in love with this garden.
Early Morning Mist
Let Me Offer My Hand
Passage
Bush on Fire
Due Drops Caught in a Web
Simple Yellow on Red
Lying on the Ground Looking Into Sunny Sky
Explosion
Butterfly
Light
Rick Sammon likes to say “Don’t just take photos, make photos”. It is a great advice. And the photo in this post is a great example of that.
I had photographed this tree a few days before and came back to Kubota Gardens that day with a single goal to make more interesting picture of this tree. I got “inside” the tree. It was cozy and warm inside under the canopy of red and yellow leaves. I started with the same kind of photos at before. They were typical photos of branches with fall leaves.
Then I noticed a single leaf caught in the middle of a tree where many branches were coming out from the main trunk. Now, that was interesting. I took a few photos.
The single leaf did not really stand out it was blending in with the branches. There was a simple solution to that. I grabbed a bunch of leaves that were already on the ground and dropped on top of the single leaf. Now they had a party.
I took a few images again. It was nice but it was plain. The image of something mystical started brewing in my head. What if I make an image of a Heart of Autumn. The heart of autumn would be glowing. And a flash light could help with that.
Fortunately, I had a powerful spot light in my car (well, I always have several flashlight in my car). I overcame my laziness and packed my gear, went back to the car, grabbed the spotlight and went back to the tree.
Now I was shooting with a spot light. It took a few iterations to get light spot right in the middle of the pile of leaves. I still did not feel like I got it. The leaves in the background were as bright as those I was lighting up. it did not feel like leaves at the heart of the tree were glowing. The solution was to make reduce overall exposure of the image, while get more light on the leaves that I wanted to glow.
The end result:
Heart of Autumn
I’ve wrote about light painting before and I’ll likely write more again as this really fascinates me in photography. For me it is a lot of fun playing with lights, a lot of creativity as I create something that was not there in the first place, and a lot of surprise as most of the time what I get is unexpected.
Here is an image that got me very excited about light painting again. I spent a day photographing fall foliage in Kubota Gardens in Seattle (I’m still working on post-processing those photos). At dusk as it got dark enough for exposures to go up to 30 seconds I started playing with light painting with two waterfalls I found in the gardens.
I found the upper waterfall to be more interesting of the two because it had red leaves caught in the stream and I could get a more dynamic image with foreground and background.
There were two new things I played with this time. First, I brought two different flashlights: one had cool light and the other one had warm light. So, I could do not only light painting but also color painting. The other thing that I played with was focus, shifting focus in the middle of light painting. This created dreamy effect.
For those interested in more technical details here is how I took this image. The camera was on a tripod, aperture wide open (f/4 for the lens that I used), shutter was 30 seconds. It was pretty dark already, my camera was not able to focus just using ambient light. First I would use very powerful warm flashlight. I would point to a rock in the middle of the frame and focused the camera using auto focus. I would turn off auto focus then. Turn off the flashlight, so it does not light up something accidentally, and release shutter. Then quickly with the same powerful warm light I would trace the waterfall and the creek back and forth a few times to ensure that individual spots or streaks of light a now visible. That was taking me about 5 seconds. Then I would turn off flashlight and defocus the lens. The rest of 25 seconds I was using weak cool flashlight to light up sides of the frame while the camera was out of focus. I did this ten times or more, every time getting a different image – I love the element of surprise. This I think is the best out of the series.
A Dream About Water
Finally, the colors of fall foliage is behind us. It is my favorite time of year. For photographers October is like August for farmers – time to collect the harvest. The reason I’m saying “finally” is because I felt burnt out pushing myself too much trying to capture it a s much as possible. For some time I tried to keep up with post-processing but then gave up – I was not getting enough sleep that way. And that was combined with two more art shows that I needed to get ready for.
Now, when fall foliage is almost gone in Pacific Northwest and my last art show of this year is behind me, I can catch up on post-processing, blogging, planning.
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For a few months I’ve been fascinated with pastel colors. I like their subdued soft feel. So, this fall I’ve done several images with intent of having pastel colors.
An important thing about photographing color is to be clear that the subject of a photo is color, not individual branches, leaves or trees. To me it means getting rid of all those details in an image.
One technique to do that is to take photos with long exposure handheld and intentionally move camera in some direction. It seems to work the best when moving camera along visually strong lines such as tree trunks or branches.
On Fire
Fall Butterflies
Fall Forest
Do you know what fascinates me in my visual world? Patterns. Here is an image I made last weekend, when I was passing by a small island of young aspen trees:
Do you know what fascinates me even more? Breaking patterns. Just seconds after I made the image above I noticed another island of young aspen trees with one tree bent and still having leaves breaking the pattern of bare trunks:
Isn’t it amazing how sometimes we have something interesting close by and yet cannot seem to find time to visit the place?
I’ve heard of Kubota Garden in Seattle long time ago. I’ve meant to visit it many times. And yet I have not visited it once. That was until this this year. A few fellow photographers went there to photograph fall colors. While I could not go with them I made a promise to myself to go there next week. I kept the promise and I’m glad I did.
Turned out the Kubota Garden is a very picturesque place with large variety of trees, human made waterfalls, intricate network of trails. The bright hues of fall were mixed with evergreens.
The weather was not great the sky was grey and featureless but promise is a promise I had to keep it. In the end it turned out well. The sun broke thru the clouds and I was treated to a nice rainbow. I found this nice composition with a bridge and rainbow repeating each others arc. It was raining and you can see water drops on the water.
vitali prokopenko | fine art 