Sunrise at Maroon Bells Lake
(A series of three stories – frustrating, scary and happy – with a common thread.)
At the dawn of photography back in 19th century there was this guy by the name Oliver Wendell Holmes, Sr who was a big advocate for photography in general and travel photography in particular. He talked about taking a photograph as taking a “skin” of reality that was based on his interpretation of an old Greek myth. I don’t want to go too far into that direction as it is not the point of my blog post. The interesting part is that he also warned of possibility of overskinning some scenes. He was concerned that some scenes might be photographed to the point when the scenes themselves will be not interesting. I came face to face with that on my trip to Colorado this fall.
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Pacific Northwest has very limited opportunities for fall colors. You’d need to scramble for interesting fall color compositions outside cities in evergreen forests. Going to Colorado and diving into fall colors was a long waiting dream of mine. This year I finally went there. It turned to be a lot of what I expected, a lot more than I expected and some that I’d rather not have. This three stories with a common theme of what photography is for me and what it is not.
Since it was my first time in Colorado I did not have any places of my own in mind; I mostly traveled to well-known places. One of such places is Maroon Bells Lake. It is considered an iconic place of Colorado. Another photographer who went there last year warned me to come an hour before sunrise as there are quite a few photographers coming there to photograph sunrise there.
I scouted the place I want to photograph a day before and showed up there about an hour before sunrise. There were about 20 more photographers along the lake. The place I had scouted the day before was not occupied. I set up my camera on tripod and started waiting. It was freezing cold but everyone was jolly with anticipation. Over the hour that followed number of photographers slowly grew to 70 but everyone was polite and asked if they’re in the way when they setup camera.
Everything was well right up to sunrise, crowded but well. Right before sunrise a guy showed up and put his tripod right in front of my camera. When I politely noted that I was photographing there and he was blocking part of my frame, he said that everyone else was photographing too and would not move. I was pissed but not sure what to do about it except to frame a different image. There was still no way to completely avoid him, so I removed him from a corner of my image in Photoshop.
Next morning I went there without much enthusiasm but with a hope to still take the image I wanted. When I arrived there were already about 50 photographers. The spot where I wanted to make a photo was taken. I got what I got. By the sunrise there were more than a hundred photographers. It was crowded and did not feel very friendly. A guy on the right was frustrated with his gear which he had too much of; switching it constantly in indecision what to use; getting tangled up in it. I was locked into taking one and only one composition. Anything else would mean getting a bunch of tripods in my frame or getting myself into someone else’s frame. Can I be creative in such environment? No.
vitali prokopenko | fine art 