Tag: flower

Depth of Field Matters

One of the things photographer needs to think about is a depth of field. When photographing grand landscape, I typically set aperture to middle point between widest and most closed to get most sharpness in the image. For a landscape overall sharpness of an image is typically more important than depth of field.

The story is completely different when photographing close-ups. Depth of field becomes extremely important. It can make or break the image. And getting everything sharp is not necessarily a good thing. And I just happened to have two images to demonstrate the difference.

First, an “everything sharp” image. The aperture was closed to the sharpest setting for the lens that I used (f/8). To me the image ended up too flat. There is no separation between the lupine and shed boards, the lupine seems to be carved in the wall.

Lupine by a Shed

The second image, which I like, is with the lens wide opened (f/2.8). The lens is well focused on the lupine. It is tack sharp. The wall is slightly out of focus. This creates a three dimensional feel in the photograph, there is a space between the flower and the wall.

Lupine by a Shed
Lupine by a Shed

Another interesting thing to note is that I experiment with different depth of field, light, composition while photographing. I took 38 photos of this lupine over two days. Later I reviewed and pick just one of them that I felt worked the best.

Fog over Golden Bridge

I always wanted to photograph Golden Bridge and Presidio in fog but in many times I had been to San Francisco I had never seen fog over Golden Bridge. Other photographers seemed to get it every time. Not me.

This May on the way back from The Lost Coast we spent a couple of days in San Francisco. One morning Very early before sunrise I went to photograph hoping to get lucky and see that mythical fog. And lucky I was. The was fog. And not just in the morning. It was there whole day. In fact it caused our flight to be delayed in the evening.

The fog was different from the one I used to. I’m used to fog in still windless weather. Golden Bridge fog was combined with strong winds. It was constantly on the move, thickening and lightening, lifting off and dropping back to the ground, letting sun in or blocking it off all together, constantly reshaping landscape.

It presented me with new and constantly changing photo opportunities. I could not get enough of it. I was running from one place to another and then back. The only limit was time.

On an Edge of Rain

We all have some small thing in our lives that we enjoy a lot. One of my things is to be under cover while it is raining. Not inside a house within four walls but almost outside, where I can smell the rain, feel a fresh breeze it is bringing, stretch my arm and feel wetness of rain drops. And yet at the same time feel protected from being completely wet. Like being in an open shed in a forest. Or just being in my garage with garage door opened, standing on an edge of the rain. Moments like that make me feel warm and cozy.

In one of those moments I photographed this iris growing next to my house:

Iris in Rain
Iris in Rain

Rhododendrons or Not?

Recently I went with a fellow photographers to photograph rhododendrons which are common on eastern hills of Olympic mountains. We were hoping for fog to have a good separation of rhododendron bushes from trees in background.

There was fog but not where we needed it. The only option left was to use shallow depth of field. My fixed 50mm lens got second life. I had not used it for a while but it was most appropriate in that case since it had the widest aperture of all my lenses.

Rhododendron
Rhododendron

The other options was to let it blend with with forest, make it part of it.

Spring Green
Spring Green

Did I mention there was fog but not where we needed it? Well, we ended up spending most of the time photographing that fog that was somewhere else:

Fog Over Lowlands
Fog Over Lowlands

Fog Over Puget Sound
Fog Over Puget Sound

Freeway Poppies

California poppies can be found in Western Washington only along roads. I’ve spotted one of such places along one of freeways while driving my son to gymnastics. The hills was burning orange covered with poppies.

The next morning I woke up a little bit earlier to get to that hill and photograph poppies before work. I parked the car at the nearest parking lot next to a store and walked to that hill. The poppies were as good as the day before – an island of the Nature beauty in the middle of a city.

So, there I was, lying on a ground photographing poppies with cars passing by at a high speed. Here are a few photos I took:

Flower Hill

As I wrote in my previous post (Good Night, Ladybug) there is a hill close to my house that has various wild flowers blooming every year. Here are a couple more photos that I took at that hill recently.

Good Night, Ladybug

I love the place where I live. There is a hillside not far from my house that surprises every year with a grand display of various wild flowers.

It changes every year. The first year I moved here it was covered with California poppies (well, I’m not in California, I’m in Washington, nevertheless we have occasional California poppies here). The next year it was covered with lupines. The year after that it was red poppies. Then chamomiles. This year it is a mix of various flowers.

I don’t know what’s the secret of this hill but I certainly appreciate the opportunity for close up and macro photography that the nature gives me.

Here is a photo I took at that hill recently just after dusk at twilight. The ladybug settled in chamomile flower for the night and the flower was slowly closing up.

Good Night, Ladybug

Soft Light

There is no such thing as bad light.

When I just started photographing the only good light I knew was a sunset or sunrise. Then I added daylight with sunlight breaking thru the clouds which was creating an interplay of shadow and light on the ground. But for longest time I thought grey overcast day is bad light that is not suitable for photographing anything.

Well, I was wrong. I just did not develop my eye enough to see what a beautiful soft light an overcast day can give. That’s the best light for photographing deep in the forest where direct sunlight falling down thru a thick canopy of leaves and branches create extreme contrast.

Overcast day on the other hand creates nice soft light that is smoothly descending thru every opening and canvasing the ground with soft highlights.

What a perfect opportunity to photograph this flower that is blooming deep in Pacific Northwest forests whole spring and summer. I love its perfect triangle of three petals and three leaves.

Tulip Fatigue?

Every year there is a tulip festival in Skygit Valley. It is probably one of the best events in the northwest. It attracts a lot of people and that includes photographic crowd. I’ve photographed there many times of the years.

This year I went to photograph there too. Strangely enough I ended up with no photographs of tulips. I photographed workers picking up bunches of tulips for sale. I photographed dirt roads, fences, trees, and everything else around except tulips. Do I have tulip fatigue and don’t respond visually to fields of tulips anymore?

Workers Picking Tulips
Workers Picking Tulips

Bus at the End of the Road
Bus at the End of the Road

Look Up, Look Down

After taking panorama of cherry trees in blossom at University of Washington campus I started photographing individual trees. Always my favorite shorts of trees looking up into the sky with a wide angle lens. I love the mesh of branches:

And then I focused on individual flowers and brick pattern with a macro lens: