Vacation of Photographer is Photography

Are you like me and take a camera equipment with you on a family vacation? And I don’t mean a small camera for family snapshots. I mean large tripod and backpack full of lenses, filters and big camera. Even if for a moment, even for a little bit I want to enjoy the new place thru a viewfinder.

I’ve just come back from a trip with my son to Hawaii. There is not mucch opportunity for photography with a 10 year old who does not like hiking. Fortunately, our hotel location in Kauai happened to be picturesque. I did not need to wonder far away for a sunrise, just sneak out of the hotel grounds.

Two Problems

There are two problems in photography: too little good pictures and too many good pictures. I’m joking of cause. There are a lot of more important problems like soul searching. But that’s the problem that I face right now: there are just too many good pictures from the trip to Enchantment lakes.

Almost every photo is “golden”. Either I’m a good photographer or golden larches make every picture “golden”. The place is just too beautiful to fail to impress.

With that here is one photo that I really like.

Sunrise in Enchantments
Sunrise in Enchantments

An Old Clunker

A few weeks ago I went to the Palouse. I’ve been there many times. I find the experience of spending hours in the fields listening to wind and whispers of wheat moved by the wind relaxing and meditating.

Despite visiting the Palouse every year and some years several times a year I find something new every time. This time as I was driving on one of the Palouse roads I passed a blue old truck left rusting in a field. Had it been there before and I simply had never driven that road before? Or was it dragged out there recently? No idea.

My thought was that it is kind of interesting but it is not what I came for. I came for beautiful landscapes that the Palouse is rich with. The old rusty clunker was not quite a beautiful landscape. Neither it was making landscape beautiful. After all I could photograph it on the way back if I wanted. Thus I passed it by and kept on going.

As I was returning on the same road I decided to stop and take at least on photo – just to pay a tribute to the old clunker. I was stuck around it for about two hours. I could not stop photographing it. There were so many images, so many stories in that old truck.

First, I liked the truck filling the whole frame, leaving little room for anything else.

Then I wanted to show it in the field.

Then I realized I like its symmetry. While having background almost symmetrical.

The I liked how the blue truck blends with the blue sky. I wanted more sky.

Then I got closer to the truck. (I always start from a distance and then come closer to the subject. That way I don’t ruin anything I might want to include in wide frame.)

I liked the rhythmic change of blue to yellow and yellow to blue.

Then even closer.

That was too close. As I saw shadow of a rear view mirror I realized that I missed  those strong lines before. I had to step back to get them in.

Now really close. Focusing on individual details of the truck.

Lines, shapes and colors.

Lines and shapes. Lack of color.

Now closing on rusty patterns. This looked like Chinese characters to me.

And this looked like a map of some islands surrounded by water.

And of causes needed to capture the truck make and model sign.

“Ok. Enough.” I told myself and started walking back to the car. Only to see something interesting on the other side: bright white lines of the side mirror supports against dark black shadow of the truck.

Thanks for following thru all this store to the end with me. Times and times again I find that there are infinite possibility around us. No need to drive around. There are lots and lost of images in each and every place.

Point of View

There are many infinite number of ways to see the same thing. There are many infinite number of angles to look at the same things.

One of the popular photographic spots to visit in the Palouse is a fence completely made out of rusty remains of wheels. There are all kind of wheels in it dating to who knows how old.

A few years ago I went to photograph the fence too. (Hey, after a few years I’ve finally got around to write about it). I’ve started with the classic shot of fence going into the distance.

Then I’ve started looking at all kind of shapes in the fence. It was fascinating. Hay here are only spikes left from the wheel. It looks like the Sun to me. So, I’ve looked at it from very low angle, because the Sun should be in the sky.

The I’ve started looking at what can be seen thru the fence. Here is only rim left from the wheel (it might even matched the spikes above). It frames very nicely the nice white building behind the fence.

The point is: look at any scene and find as many images as possible in it.

Interpretations

There is an infinite number of ways to interpret that same scene, the same photo, the same subject. The interpretation very much depends on my emotional state.

My photographs are more a reflection of me than a capture of reality. This sounds cliché but it is true. I’m very much surprised but this myself.

Naturally my emotional state changes over time and images that used to speak to me seem to be silent now. The opposite is true. Sometimes I find gems in images long forgotten.

The changes of my emotions even change the way I interpret images in post processing. Look at these two images. The exact same scene the almost exact same photo.

First one is the image I captured. It is dark and grey. It is an image of depression, being lost with no way out.</p

Then the image after processing. When I process images I rarely have a plan; I’m exploring letting it take me wherever it wants to take me, looking for something that resonate with me. In this case I ended up with an image of hope.

Anticipation

I’m sitting in a hotel room in a hot hot Dubrovnik in Croatia but my thoughts are about cool Lofoten. Apparently heat and me don’t go together very well. My brain is boiling with a temperature close to 40C outside and I cannot put a single thought together. So, I spend middays in a hotel room with air conditioning and mornings and evenings in a pool or the sea.

Cool weather is much easier for me. It helps me think and be more creative. Cool weather such as in Lofoten. I remember its very unstable nature. It could change from rainy to sunny and back to rainy within an hour. That kind of change creates great sky and great light. I just need to be patient and watch for an opportunity, hunting for a great light and composition. All the images below were taken from the same spot on the same day but how different they are!

I remember when I planned my first trip I was very concerned about rainy forecast. On being there I understood that “rainy” weather is exactly what I need as it created drama and emotion.

Why do I think about Lofoten now? Because in a week I’m going there again. This time for longer and with a knowledge of places that can give me the best experience.


Sensory memory

I have mentioned in one of my previous posts that I find my inspiration in paintings. One of the masters whose works inspire me is Shishkin. His landscapes have almost photographic accuracy. Interestingly enough many of his landscapes are depicting nature at noon – some of the hardest light for photography – and yet it looks so beautiful in his paintings. His paintings are utterly simple depicting seemingly mundane landscapes, but the way he does it make them look magical, filled with warmth, hard to take my eyes off, perfect in every respect.

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I live in Oslo temporarily. I run regularly and use running as a way to discover Oslo for myself. I also have my smartphone with me and use it to capture things that catch my eye. The smartphone has become my sketching tool. That is how I discovered Bygdøy Peninsula. Oslofolks call it an island and I can see why. It is covered with forest, farms and countryside cottages. It is an oasis of nature in the middle of a city where anyone can escape from noise and rush of the city life.

When I saw the forest of on Bygdøy peninsular, it reminded me of Shishkin’s paintings. I made some sketches with the smartphone and then I came back at noon (just like Shishkin’s paintings) with a camera to spend more time working on images.

Walking thru this oasis of nature, making photos was very relaxing experience. The sun was shining, breeze was touching my skin, birds were singing, trees were whispering.

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Later that day at night I was processing photos. I was eager to jump onto the task because I wanted to see what I had gotten and how much I can translate my experience into images. As I was working with the images I realized that I felt warmth of the sun and coolness of the breeze, heard birds singing and trees whispering. All my senses were tied to these images.

 

Fascination with Lofoten

I’ve spent 3 amazing days in Lofoten and I fell in love with it. It is a chain of islands in Norway above arctic circle connected by bridges and tunnels.

I had such a misconception from my childhood about life above arctic circle. I imagined Lofoten to be ice and snow, and rock not covered by ice and snow, devoid of life.

It turned to be something completely different. Lofoten was vibrant and lively with green grass, blue sky, sunshine, white sand beaches, emerald ocean and mild temperatures. It was not even nearly as cold as I imagined it. I found it hard to believe I was above arctic circle.

I wanted to stop and touch every tree, touch the grass, the sand and water. It was so far from what I expected that it felt surreal, science fiction. I had to touch it all to check that it was real and not a figment of my imagination.

Sitting in the car watching ripples of water run up and down while sandy beach made me feel like I’m in Hawaii. It was a bit colder than Hawaii when I was getting out of the car. 🙂

You know what was even more surreal? Having no night. It was a beginning of arctic summer, when the sun shines round the clock. It was surreal to hike at midnight and have daylight.

Driving thru the small towns at “night” felt eerie. It was bright as day but there were no people, no movement. It was like in science fiction or horror movies when you wake up one day and all the humanity is gone.

There is so much to photograph there: snow capped mountains, waterfalls, ocean, sandy beaches, rocky beaches, mountain rivers, green meadow, lakes, tiny islands. And best of all I could hike pretty much everywhere. There is very little private land. I spotted a waterfall up the mountain while driving, I just stopped where I could and went up. This was such an enjoyment to roam the land, to wonder around.

There was a payback for all that “night” travel as I was red eyed from lack of sleep but it was totally worth it. If you’ve never been above arctic circle in summer, make sure it is on your “bucket list”.

Like a Pianist

Recently (four months ago) I bought myself a new camera. Just then I understood just how much my previous camera had become an extension of me. I did not even think about controls, I just thought about picture I want and fingers did all the work.

There was a lot to learn with the new camera. I’ve read thru the manual repeating all the steps that I thought were important to me. I started making photos. I stumbled over and over, had to think about what buttons to press, what dials to turn. Many pictures went straight to trash – they were technically very bad: out of focus, under-exposed, over-exposed.

I kept practicing. I had to re-read parts of the manual because I forgot how to make certain adjustments. At last during the trip to Alberta I noticed that my fingers do all the work automatically again. It was such a pleasant feeling to be in control of the camera again. I somehow think it is similar to how pianist is playing on a piano.

Here is the final set of images from the trip.

Never Can Take the Same Photo Twice

“No man ever steps in the same river twice” – Heraclitus

There is a set of small lakes near Banff called Vermillion Lakes. They are easier to access and a nice spot for sunrise photography. I visited them several times: on my way to Abraham Lake and on the way back. They are mostly frozen during winter that is if the winter is actually cold but there are a few of hot springs coming into them that never seem to freeze up.

I found myself a nice cozy place there which I kept coming back to photograph over and over. Initially, I wanted to repeat the photo I took the first time, just with a slightly different composition. When I came the second time though I discovered that the weather changed the look completely. After that the change itself was more interesting to me. So, I kept coming to the same place to see how it looks like at sunrise or sunset, how it looks in warmer weather and in colder weather.

Here are a few photos that I like the most out of my study of the same place.

Sunrise after snowfall:

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Twilight before sunrise with warm weather:

Sunset with clear sky when the temperature dropped below 0C again. I’ve waited for this one until gradient of color reaches its peak. (BTW, I love watching Earth’s shadow moving across the sky.)