Dante’s Peak

Day 5, Noon

What an amazing breathtaking view of Death Valley opens up from Dante’s Peak!

The elevation gain of Dante’s Peak is so high that the temperature drops 15C comparing to the the temperature at the bottom of the valley. I got there in t-shirt and shorts but quickly had to put on long-sleeved shirt, warm jacket and gloves to keep myself warm.

Here is a panorama with Badwater in the front (click on the image to see bigger size):

View from Dante's Peak

Here is horizontal photo of the part in the distance:

View from Dante's Peak

And here are is a vertical:

View from Dante's Peak

Seeing Big and Seeing Small

Day 2, Late Morning

To photograph Badwater at sunrise I went far into salt flats. On my way back I started paying more attention at the variety of structures built by water, salt and wind. About a size of human hair whiter than white these crystals were creating islands of shimmery white in salt flats.

Salt Crystals Shaped by Wind
Salt Crystals Shaped by Wind

Salty Lines

Day 2, After Dawn

Photographing Badwater is all about finding lines that are interesting a leading somewhere. Like in this photo I found a line that can be anchored in the bottom corners and goes into the image pointing toward a cloud in the sky. And there is a nice loop at the end of it that matches the cloud.

Badwater
Badwater

Badwater

Day 2, Sunrise

Badwater

My first sunrise on this trip was at Badwater. That’s a large flat with lots of salt deposits from drying out water. The salt is brought by streams running down the mountains surrounding the valley in those rare cases there is a rain in Death Valley.

I wanted to capture psychedelic twilight and early dawn colors that I saw long time ago here but now with better techniques. This time colors were too weak, so I had to put gold-n-blue polarizer to give them a punch. I use this filter very rarely because it saturates and shifts colors too much for my taste. The only exception when I use would be photographing sunrise or sunset when rich orange colors would be expected and I don’t get those colors without this filter.

I liked how sky came out with gold-n-blue polarizer but I did not like the color cast on salt flats. Thus in post-processing I removed the color cast and put back the color of salt flats without gold-n-blue polarizer.

My first attempt to remove cast was to do color balance. Unfortunately, I could not color balance uniformly across the whole field. That’s because gold-n-blue polarizer produces different color casts depending on an angle to light source (Sun in this case). Given that this is more than 180 degree panorama the color casts produced by the filter in the middle and on the sides was significantly different. As I color balanced middle of the photo, I’d have unpleasant green color cast on the sides. As I color balanced sides I’d get magenta cast in the middle.

After that struggle I decided that the only way to fix color cast on the salt flats was to get rid of color information completely and bring back color from a photo without polarizer. The first step was putting a black and white layer on top of salt flats to remove color completely. Then I put photo filter with color picked from photo taken without the gold-n-blue polarizer. The last step was blending that with original color of this photograph to add variation and make smooth transitions between colors.