Category: color

Depth of Field Matters

One of the things photographer needs to think about is a depth of field. When photographing grand landscape, I typically set aperture to middle point between widest and most closed to get most sharpness in the image. For a landscape overall sharpness of an image is typically more important than depth of field.

The story is completely different when photographing close-ups. Depth of field becomes extremely important. It can make or break the image. And getting everything sharp is not necessarily a good thing. And I just happened to have two images to demonstrate the difference.

First, an “everything sharp” image. The aperture was closed to the sharpest setting for the lens that I used (f/8). To me the image ended up too flat. There is no separation between the lupine and shed boards, the lupine seems to be carved in the wall.

Lupine by a Shed

The second image, which I like, is with the lens wide opened (f/2.8). The lens is well focused on the lupine. It is tack sharp. The wall is slightly out of focus. This creates a three dimensional feel in the photograph, there is a space between the flower and the wall.

Lupine by a Shed
Lupine by a Shed

Another interesting thing to note is that I experiment with different depth of field, light, composition while photographing. I took 38 photos of this lupine over two days. Later I reviewed and pick just one of them that I felt worked the best.

Fog over Golden Bridge

I always wanted to photograph Golden Bridge and Presidio in fog but in many times I had been to San Francisco I had never seen fog over Golden Bridge. Other photographers seemed to get it every time. Not me.

This May on the way back from The Lost Coast we spent a couple of days in San Francisco. One morning Very early before sunrise I went to photograph hoping to get lucky and see that mythical fog. And lucky I was. The was fog. And not just in the morning. It was there whole day. In fact it caused our flight to be delayed in the evening.

The fog was different from the one I used to. I’m used to fog in still windless weather. Golden Bridge fog was combined with strong winds. It was constantly on the move, thickening and lightening, lifting off and dropping back to the ground, letting sun in or blocking it off all together, constantly reshaping landscape.

It presented me with new and constantly changing photo opportunities. I could not get enough of it. I was running from one place to another and then back. The only limit was time.

On an Edge of Rain

We all have some small thing in our lives that we enjoy a lot. One of my things is to be under cover while it is raining. Not inside a house within four walls but almost outside, where I can smell the rain, feel a fresh breeze it is bringing, stretch my arm and feel wetness of rain drops. And yet at the same time feel protected from being completely wet. Like being in an open shed in a forest. Or just being in my garage with garage door opened, standing on an edge of the rain. Moments like that make me feel warm and cozy.

In one of those moments I photographed this iris growing next to my house:

Iris in Rain
Iris in Rain

Sunsets over The Lost Coast

Only the first morning at Shelter Cover had clouds. All the days after that the skies were incredibly clear. The only thing that was left to photograph at dusk was gradients in the sky:

Combining with long exposures of moving water which I love to photograph:

And sun rays:

Misty Morning

The first morning in Shelter Cove was filled with fog. And it was the kind of morning fog when the air is still and quiet. It was moving, swirling, raising and falling back to Earth breaking into myriad of due drops.

We chased the fog around but it was tough to find a good view point to get a good photos of Shelter Cove in fog. Eventually we found one:

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After that we dived into the fog and went to Black Beach:

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The Lost Coast

Back in May my family and friends took a trip to Shelter Cove. It is a very small town located in the area with an intriguing name The Lost Coast. It is the only section of Pacific US coast that does not have Highway 1 following the coast. Once you get there you’ll understand why. Mountains with steep drop-offs come directly to the ocean. There is a small piece of flatland squeezed in between the mountains and the ocean. And that’s where Shelter Cove is located.

The road there is hard: long, narrow, windy and slow. That kept the place remote and less developed than the rest of the Pacific coast. There was no cell phone coverage, no Internet access, which made it into a nice experience. Suddenly there was so much time for family fun and games once those distractions were removed.

While this was a family vacation there was still a little bit of opportunity for photography. With the next few posts I’ll share the images and experiences I captures during the trip.

Electric Pole

Let’s face it – electricity together with wires and poles are here to stay for a while. 🙂 So, what do you do when you see great light, great color, but electric pole and wires get in your way? Well, the only things to do is to make them part of a composition.

Stops Along the Way

One advantage of taking a road trip instead of flying is being able to see and photograph things along the way. At least that’s the theory. Once I’m in driving mode, I’m in driving mode, I want to zap as fast as possible to my destination. I still can see things around but I don’t stop to photograph.

That was the case up to my last trip to Palouse. I’ve made it rule to stop at any point I find interesting along the way. And I did, even if it meant turning around and driving back. It meant turning off my driving mode and being more aware of landscapes around.

It paid off with this photo.

Couple more images of the same place – horizontal:

And vertical:

Waiting for the Light

Sometimes you chase the light and sometimes you need to wait for it.

By the afternoon of the second day the sky started to clear and I started heading back home. I still wanted to stop by a few places on my way home. One of those places was a large canola field that I saw on my way to Colfax.

In the first day with no sunlight in the first day the canola field looked dull and uninspiring. But with the light and shadow spots moving across it I thought it could be interesting. With a sunlight on it the canola field was bright yellow. The kind of color my son loves because it is warm and happy.

I drove around the field looking for a composition. I could not quite anchor the composition around anything, because there was not anything in the field. And just as I almost gave up I saw and intricate play between light and shadow which shaped up the field into something that was interesting to photograph by itself.

Clouds were moving very fast. By the time I stopped the car, got out of the car, setup tripod, put a camera on tripod the cloud moved on and shadow that was shaping the field was gone.

Sometimes you chase the light and sometimes you need to wait for it (or, to be more accurate, in this case wait for a shadow). The next two hours I’ve spend waiting for another cloud to come in… and here is the photo I was waiting for:

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Chasing the Light

After dreadful first day in Palouse the second day everything a landscape photographer could have dreamed of. The sky was filled with puffy clouds moving fast across the sky dragging spots of light across the land. All I had to do was watching those light spots highlight something interesting in the landscape.

I enjoy chasing light and shadow moving across the landscapes, its continuous change of scenery. It is like looking in kaleidoscope. There is an infinite amount of beauty in it and all you need to do is watch.

Here are two photos of the same place and same composition but different light. The first one is about the barn, since the light is on it:

And the second one is about fields behind the barn, since they have light on them:

Which one is better? Not sure. They are just different and I like them both.

Here is one more example. The white silo stands out of landscape with the light on it and a cloud shadow behind it:

And here it blends with the landscape: