From Real into Surreal

“The thing’s hollow – it goes on forever – and – oh my God – it’s full of stars!” – Arthur C Clarke “2001: A Space Odyssey”

When I was a kid I loved science and I loved science fiction, not the kind with goblins, demons and fairy tale creatures but the kind about interstellar voyage and discovery, distant stars and worlds around them.

One of those stories that I remember particularly well was about a world with three suns, a world where darkness had no place, a world without stars, with intelligent race who believed there is only small space around them, that they are alone in the Universe. Every so often a global cataclysm was sweeping thru the planet as all three suns where aligning and giving a gift or curse of night with all the stars in the sky. Every adult on the planet would turn mad from the shock of realization that there were infinite number of worlds in the Universe, that they are not alone. What remember from the story the most is that feeling of shock and awe of seeing so many stars.

Now I’m a grown up man but I still love science fiction. How is it relevant to photography? What if we imagine a world where stars can be visible even during day…

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A while ago I published this photo from my trip to the Palouse: Taking Advantage of Imperfections. I like the photo. It has some surreal quality to it. But to me it was not finished yet or at least it was not what I intended for it.

I wanted to create an imaginary world where sun and stars can be seen at the same time. I took the same photo at night with intention to merge the two into one. When I did it it became even more surreal. At the same time I recognized that the pattern of stars from that view point was completely random. They were randomly filling the sky making it more interesting but not adding anything to the composition.

If only I had Milky Way spreading its wings around the Sun, along the sun rays extended by imperfection in my polarizer – that would be really interesting. So, on my recent trip to Rainier I photographed Milky Way positioning it within frame where I ‘d like to have it on the final image. Here is the end result the way I intended it. To me it looks even more surreal than before and at the same time somehow very harmonic.

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I’m interested in what you think about these to images?

Quiet Story

In my experience photos with amazing light such as sunsets and sunrises are most popular among viewers. Yet I have a lot of photos that don’t have grand scenery or amazing sunset but tell a quiet story about the place. Such as this one of a seaweed left on the rocks of Rialto Beach as the water recessed during low tide.

I’m not sure what to do about them. They fill small gaps in the story about Olympic National Park, making it more complete. At the same time I feel like the story becomes too long, especially a story about such diverse place as Olympic National Park.

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