The first morning in Shelter Cove was filled with fog. And it was the kind of morning fog when the air is still and quiet. It was moving, swirling, raising and falling back to Earth breaking into myriad of due drops.
We chased the fog around but it was tough to find a good view point to get a good photos of Shelter Cove in fog. Eventually we found one:
After that we dived into the fog and went to Black Beach:
As I wrote a while back Photography Starts on a Plane. My photographic journey to Shelter Cove starts on an airplane too. This time our seats were over an airplane wing, which limited a view out of our cabin window to pretty much the wing only. That did not stop me from photographing. I just focused on lines and graphics of the airplane wing and specular lights created by the Sun.
Flying thru a cloud:
Let’s face it – electricity together with wires and poles are here to stay for a while. 🙂 So, what do you do when you see great light, great color, but electric pole and wires get in your way? Well, the only things to do is to make them part of a composition.
One advantage of taking a road trip instead of flying is being able to see and photograph things along the way. At least that’s the theory. Once I’m in driving mode, I’m in driving mode, I want to zap as fast as possible to my destination. I still can see things around but I don’t stop to photograph.
That was the case up to my last trip to Palouse. I’ve made it rule to stop at any point I find interesting along the way. And I did, even if it meant turning around and driving back. It meant turning off my driving mode and being more aware of landscapes around.
It paid off with this photo.
Couple more images of the same place – horizontal:
And vertical:
Sometimes you chase the light and sometimes you need to wait for it.
By the afternoon of the second day the sky started to clear and I started heading back home. I still wanted to stop by a few places on my way home. One of those places was a large canola field that I saw on my way to Colfax.
In the first day with no sunlight in the first day the canola field looked dull and uninspiring. But with the light and shadow spots moving across it I thought it could be interesting. With a sunlight on it the canola field was bright yellow. The kind of color my son loves because it is warm and happy.
I drove around the field looking for a composition. I could not quite anchor the composition around anything, because there was not anything in the field. And just as I almost gave up I saw and intricate play between light and shadow which shaped up the field into something that was interesting to photograph by itself.
Clouds were moving very fast. By the time I stopped the car, got out of the car, setup tripod, put a camera on tripod the cloud moved on and shadow that was shaping the field was gone.
Sometimes you chase the light and sometimes you need to wait for it (or, to be more accurate, in this case wait for a shadow). The next two hours I’ve spend waiting for another cloud to come in… and here is the photo I was waiting for:
After dreadful first day in Palouse the second day everything a landscape photographer could have dreamed of. The sky was filled with puffy clouds moving fast across the sky dragging spots of light across the land. All I had to do was watching those light spots highlight something interesting in the landscape.
I enjoy chasing light and shadow moving across the landscapes, its continuous change of scenery. It is like looking in kaleidoscope. There is an infinite amount of beauty in it and all you need to do is watch.
Here are two photos of the same place and same composition but different light. The first one is about the barn, since the light is on it: 
And the second one is about fields behind the barn, since they have light on them: 
Which one is better? Not sure. They are just different and I like them both.
Here is one more example. The white silo stands out of landscape with the light on it and a cloud shadow behind it: 
And here it blends with the landscape: 
Last weekend I made a short two day trip to the Palouse – an area in Eastern Washington famous for its rolling hills covered with patches of fields. It is very beautiful and photogenic place. Some call it American Toscana.
My first day of the trip in the Palouse was dreadful. Grey solid sky, no light, little color. Just as if it could not get any more discouraging, suddenly the rain started. It was pouring down heavily. Most people would stay home in that weather. Not me. I went on scouting around.
The rain stopped just as suddenly as it started. Heavy clouds and soft light were majestic.
I even caught a glimpse of warm pink glow in the sky from a light of the Sun settling for the night.
Just one small piece of advice: don’t drive dirt roads there when it is wet. The dirt is a fine grain clay that becomes extremely slippery when wet. You’ll lose any control over your car. I am talking about it from experience.
Sometime I find a photograph just by accident. Like this one.
I was photographing flowers in a forest. The flowers were across a small creek that I could not cross. So, I was photographing with my hands stretched out, composing by looking at a live view on a screen on the back of my camera.
As my hands got tired I let my camera hang on a strap. That’s when I saw reflections down in the stream on the screen. I was immediately captivated by interweaving mesh of branches and interplay of continuously changing reflections in a moving water.
My family and I have just returned from a week long vacation in a small ocean shore town in an area with intriguing name "The Lost Coast". This is the only section of US Pacific coast that does not have highway 1 following the coast line.
This is probably the only remote place left on the west coast. No cell coverage, no internet for 5 days. And we’ve survived! More than that it was pretty enjoyable. Lots of fun for kids and parents. And a lot of photographic opportunities.
On the way back we stopped in San Francisco for a couple of days where I had fun photographing Golden Gate and Presidio in fog.
I’m just starting to dig thru all the photos I took on the trip. Meanwhile here is an image I made a year ago. A photograph of iconic Golden Gate bridge overlaid with a texture of a rock that I found just about where I took this photo of the bridge.
Golden Gate Post Card
PS I’ll keep posting to my blog from my backlog of photos while I’m digging thru the images from a trip to The Lost Coast.
Day 5, Sunset
Finding water is a bit of a challenge in Death Valley. On a rainy year (which was a few years ago) there was water on Badwater flats and lots of photographers and spectators were taking photos of reflections. This year there was no water at all on Badwater.
As I was driving thru the valley I noticed a brisk reflection of the Sun. It must have been water.
Indeed there were a few small creeks with salty banks. And where water is there is life. There was some grass. Most of it dried out but there was some still green. The dry ones mineralized with salt turned into sharp spikes.
That’s where I settled waiting for a sunset.
Here are a couple of images I took at that place. The first one is right before the Sun disappeared, the last rays just touching the tops of the greenery:
Last Rays
And here the afterglow:
Afterglow
vitali prokopenko | fine art 