Texture on a Grand Scale

A month ago with a few fellow photographers I went to Canada. We visited a few places in Banff, Jasper and several places in between. The weather was mild, favorable to me since in chaos of packing I left winter shoes at home and was wearing my summer all-around shoes.

On the way there an interesting texture caught my eye: a side of a mountain was covered in trunks of burnt trees with a dust of snow powder on the ground. It created rather interesting texture on a grand scale. It looked like the mountain was covered with a shimmering fur. Changes in slopes steepness were creating an interesting patterns in this mesh. After short discussion we turned around and stopped to photograph them. Below you can see my take on it.

One interesting thing about them is light. It was an overcast day and the light was very flat but I think it was perfect for this type of texture. It made photos more abstract.

Shadows in Fog

I like photos in which fog is taking over, photos where viewer need to take an effort to make out what’s on the photo. So, when I was returning once from Snoqualmie Pass and I saw clouds falling down, dispersing into fog and taking over the mountains I exited freeway at the closest exit and photographed it.

_MG_8168

Snow Storm

Storm, be it by the ocean or in the mountains, presents the most interesting opportunities for landscape photography. (It also presents the most challenges.) The sky is changing rapidly and all kind of light show can happen.

One early morning, which most would still consider night, I went to Gold Creek at Snoqualmie Pass hoping to photograph a sunrise. The weather was not cooperating. There were too much clouds. Then the snow fall began and it was heavy. It stopped as suddenly as it started and the clouds started to clearing up.

Eventually, the sun started breaking thru and highlighting parts of landscape. It was the kind of thing I like the most about landscape photography – watch with fascination how light changes the landscape.

Of cause, I was photographing as conditions were changing. They were changing so rapidly that I did not have time to form the idea. I was photographing purely on intuition. Only when I reviewed my photos at home I noticed that I could a fleeting moment of sun streak by the tops of the tress. That’s the photo I liked the best:

Speaking of Gold Creek area I find it very interesting in winter. I’ve went there several times already. Here are some more photos from there.

Haiku

_MG_7507

One of my friends on a recent trip to Canadian Rockies threw in an interesting concept of haiku in photography – a minimalistic simplest image capturing the essence of a story. At first we were amused with it but now I think it is pretty neat concept. I find a lot of images that I’ve captured in that style, such as the one above.

Same Place – Different Look

One interesting thing about nature photography is visiting the same place at different times of a year. Last spring I took a photo of one of the waterfalls on Change creek. Back then the trees were covered with fresh green leaves. Green moss was covering rocks.

I went to the same place about a month ago and it looked recognizable but at the same time very much different: bare trees and snow covered rocks.

No Hibernation!

A while back I wrote that I tend to fall in kind of artistic hibernation in winter. It is hard to push yourself out of warm cozy home into bitterly cold of winter wind.

This year I did it! I pushed myself out. I started going into the mountains and taking photos. I bought enough clothe to keep myself relatively warm even in wind at temperatures well below freezing.

So, this year I can show a few winter photos starting with a few simple ones.

Pastel Colors

I’m not sure whether it is a period in my life or my art but I’m more and more drawn to pastel colors. I remember seeking the brightest most vivid colors possible. I remember pushing colors as much as they’d go. Don’t get me wrong. If a photo has bright colors and it works I’ll keep it that way. But I see more and more photos in my collection with muted soft pastel colors.

Such as this photo. The is no awe inspiring sunrise or sunset on it but there is soft pink glow in the clouds that make my crazy about this photo.

_MG_4172

The challenge with sharing such photos digitally is that subtle variations of color in most cases are lost when viewing them on non-calibrated monitors which is vast majority of monitors. Well, not much I can do about that.

Red Morning

Photographing sunrises and sunset is hard on Hawaii. Being close to equator the Sun pops up and quickly rises in the morning and it quickly drops down in the evening. There literally second to photograph sunrise or sunset.

Additional challenge for me was that at the place where we stayed the sunrise was blocked off by a mountain and clouds that the mountain attracted. I would have a peak of great clouds and light over the mountain thru trees, wires and buildings, wishing I’d be there every morning. Unfortunately, the was no road there.

Then one morning the clouds over the mountain cleared out and the light of sunrise spilled over the whole sky. The sky turned red and cast red light on the ocean and the land. And the ocean and the land turned red. Good thing I was persistent in going out every morning, hoping for a great light show. Persistence pays off.

Red Morning

Chasing the Wave

Photography for me is about having fun, experimenting, trying out. It jump starts my creativity. Many of the photographers of the past and of today talk about previsualization, trying to compose and envision photo in your head before taking a photo. For me trying to do that with every image would be a limiting factor because we can only previsualize based on experiences we already have and we won’t learn anything new, gain new experiences.

The element of “randomness” is very important for me. Seeing something for the first time is what brings me joy. So, when one evening when I was ready to photograph sunset that did not happen I looked around what else I might take pictures of. I saw waves running to the shore and surfers occasionally running the waves. And I thought what if I pan the waves by rotating camera horizontally on the tripod with long exposure.

I took one image there was something in it. I started doing more and more. It was fun since I could not predict ahead of time what the image would look like. Trial and error, trial and error. As Jai Maisel once said “there is a reason why it is not called trial and success”. Here is a couple of the best trials:

Look Around

A few posts back I was writing about blowhole north of Napili at Maui. While I went there because there is blowhole there which I wanted to photograph, I also looked around for other opportunities as I always do. And as I always do I found several more interesting images to make. Here are a couple.

First one with cliffs going into the ocean in a warm light of an early morning:

_MG_5389

The second with a violent ocean crashing against the cliffs of lava rock:

_MG_5573

I think there are even more opportunities there – as always there is even something better ahead.